You remember the name of the town, don't you? [Zihuatanejo]

Marcel Dalio

November 16, 2005

Sunday, November the 20th is the anniversary of Marcel Dalio’s death in 1983. It was the end of a serendipitous life. You know him. He was a citizen of the world. Born Israel Moshe Blauschild, in Paris, in 1900, he became a much sought-after character actor. His lovely animated face with its great expressive eyes became familiar across Europe. He appeared in Jean Renoir’s idiosyncratic Rules of the Game (1939) and Grand Illusion (1937), arguably the greatest of all films. And true to his Frenchman’s heart, he married the very young, breathtaking beauty Madeleine Lebeau. He worked with von Stroheim and Pierre Chenal. He had it all.

But then the Germans crushed Poland, swept across Belgium and pressed on toward Paris. He waited until the last possible moment and finally, with the sound of artillery clearly audible, with Madeleine, fled in a borrowed car to Orleans and then, in a freight train, to Bordeaux and finally to Portugal. In Lisbon, they bribed a crooked immigration official and were surreptitiously given two visas for Chile. But on arriving in Mexico City, it was discovered the visas were rank forgeries. Facing deportation, Marcel and Madeleine found themselves making application for political asylum with virtually every country in the western hemisphere. Weeks passed until Canada finally issued them temporary visas, and they left for Montreal.

Meanwhile, France had fallen and, in the process of subjugating the country, the Germans had found some publicity stills of Dalio. A series of posters were produced and were then displayed throughout the city with the caption ‘a typical Jew’ so that citizens could more easily report anyone suspected of unrepentant Jewishness. The madness continued. The Curtain Rises (1938), a popular film, was ordered re-edited so that Dalio’s scenes could be deleted and re-shot with another, non-Jewish, actor.

After a short time, friends in the film industry arranged for them to arrive in Hollywood. Nearly broke, Marcel was immediately put to work in a string of largely forgettable films. Madeleine, a budding actress in her own right, was ironically cast in Hold Back the Dawn (1941), a vehicle for Charles Boyer with a plot driven by the efforts of an émigré (Boyer) desperately trying to cross into the United States from Mexico. But the real irony was waiting at Warner Brothers.

In early 1942, Jack L. Warner was driving production of a film based on a one act play, ‘Everybody Comes to Rick’s’ but had no screenplay. What he had was a mishmash of treatments loosely based on the play and two previous movies. But he had a projected release date and a commitment to his distributors to have a movie for that time slot and little else. Warner Brothers started to wing it.

Shooting started without a screenplay and little plot. Principal players were cast and a director hired but casting calls for supporting roles and bit players continued, and sometime in the early spring Marcel Dalio and Madeleine Lebeau were cast as, respectively, a croupier and a romantic entanglement for the male lead. Veteran screen-writers were hired to produce a running screenplay, sometimes delivering pages of dialogue one day, for scenes to be shot the following day. No one knew exactly where the plot would go or how the story would turn out. No one was sure of the ending. And, of course, perhaps inevitably, they produced a classic, perhaps the finest, American movie.

They produced a screenplay of multiple genres, rich with characterizations, perfectly in tune with the unfolding events in Europe and loaded with talent from top to bottom. Oh, and they changed the title to Casablanca (1942).

It is so well known, that many lines of long-memorized dialogue have passed into the slang idiom. ‘We’ll always have Paris’, ‘I was misinformed’, ‘Here’s looking at you, kid’, ‘ I am shocked! Shocked! To find that there’s gambling going on in here!’, ‘Louis, I think this is the beginning of a beautiful friendship’, ‘Oh he’s just like any other man, only more so’, ‘I don’t mind a parasite. I object to a cut-rate one’, ‘Round up the usual suspects’, and, of course, the oft quoted, apocryphal, ‘Play it again, Sam’.

Madeleine Lebeau plays Yvonne, the jilted lover of Humphrey Bogart, who is seen drowning her sorrows at the bar early in the film and who later, to get back at Rick and looking for solace takes up with a German officer finding only self-hatred. She is luminous.

And when Claude Rains delivers the signature line, ‘I’m shocked! Shocked! To find that there’s gambling going on in here!’ the croupier, Emil, played by Marcel Dalio, approaches from the roulette table and says simply, ‘Your winnings, sir.’ It is a delicious moment ripe with scripted irony, one among many in this film, but one made all the more so, knowing where Dalio came from and what he and his wife had endured to arrive at that line.

Alas, they separated and divorced the next year, both going on to long successful careers. Dalio never remarried.

Late in his career Dalio was approached by Mike Nichols who was looking for a vaguely familiar face to deliver a long and worldly, near-monologue in Catch-22 (1970). Faced with a hopelessly idealistic young American pilot, Dalio, as simply ‘old man in whore house’, in tight close-up, delivers a discourse on practical people faced with impractical circumstances, of the virtues of expedience in the face of amorality . Using his wonderful plastic features, now beginning to sag, in a voice full of melancholy, the old man reassures the young man that regardless of what ‘grand themes’ may be afoot in the world, in the end, little matters but survival.

Michael Ryerson



I saw the settlement yesterday. Knew when I saw it, I’d have to write something about it. In some way the end of a long torturous road, yet, of course, in another more frightening way, not really the end at all.

He moved into the old neighborhood while I was overseas and by the time I came back, he’d become one of the boys. ‘You have to meet him. He’s cool,’ they said. He was easy to know, the Blarney Stone comes to mind, though with a low key thoughtfulness that suggested substance rather than simple hot air.

He moved into the house just south of my old family home, one of those grotesque Ponti-moderns that were so popular back in the kitsch swept ‘50’s, pastel stucco with the rock-and-pebble roof, concrete slab floors and huge windows grouped in fours in every room.

They came into town from Denver, him and a feisty, sometimes salty wife, and three young boys. Their door was pretty much always open. We played bridge, argued politics, sports and fast cars, Mailer, Vidal, Buckley, Walter Alston and Carroll Shelby. We watched Dick Cavett, Steve Allen and The Firing Line at his house. He subscribed to Time and Newsweek and Foreign Affairs. He recommended Atlas Shrugged and The Once and Future King, I suggested he read Slaughterhouse-Five and Catch-22. He held forth on ‘big business’, banking, aerospace and engineering with the casual air that passes for competence and besides he was supporting a family while the rest of us were screwing around in school or maybe just screwing around, so what did we know? He said he was a Republican

He had access to a persistent stream of well paying, part-time, temporary jobs and we all took advantage of this, week-ends, evenings, spring break, summers, whenever. He would call from time to time with one goofy job or another, cleaning offices all night at some enormous complex, driving an RV around a test rack strewn with speed bumps and artificial potholes out in Gardena, making engineering changes to schematic drawings over at Atomics International. This was during our student radical days but, of course, even anarchists gotta eat.

He moved on up the corporate ladder or, rather, he moved on up a series of corporate ladders, it being a dog-eat-dog world and he finding himself in one palace revolt after another. He had some hard times.

Right about here, I wandered away for a few years and when I wandered back I had a young wife and few prospects. And sadly, when my sense of irony and snappy patter got me crossways with a distant corporate employer, I found myself talking to him in Houston and he was telling me to, ‘come on down, it’s a boomtown here.’ And so we went, the two of us and an eighty-five pound mongrel dog named Yossarian and pretty much everything we owned, stuffed into and strapped on top of, a rattling Volkswagen.

He had been sent to Houston, temporarily they said, to reel in a renegade branch office, placate the customers and lay the groundwork for a return to profitability. The assignment brought with it a corporate apartment, a generous expense account and a white Cadillac two-door. His wife, with the boys, had refused to relocate with him, so he found himself with time on his hands and few witnesses. A combination that, predictably, would lead to mischief.

He was creative, ‘too smart for his own good’ my mother would have said, and at that he would have laughed that good-natured laugh of chastened recognition. And he’d have gone right on doing what he was doing. He had become the master of the business lunch, box seats and long expensive dinners. The customers knew they were being conned but his charm and his numbers were too good to pass up. The office righted itself.

He dated a series of bright young women who, each in her own way, looked great in the front seat of a white Coupe de Ville. He enjoyed telling the old stories and, of course, to them they were new stories. And they knew they were being conned, too. But likewise his stories and his numbers were too good to pass up.

The divorce papers arrived the middle of the second year.

I moved from one staff assignment to another, filling in as he launched new lines of business, moving ever further from the traditional model, and as his ‘deals’ became more creative he was seen less and less in the office and his corporate reporting became sporadic and uneven, sounding an alarm in Los Angeles. Soon they were coming to Houston once again to reel in a renegade office. He was out and I was on my way to Los Angeles and an office on the twelfth floor. He found shelter across town at the number one competitor, with a nice increase and a Mercedes Benz. We didn’t speak again for ten years.

In those years, I harbored a resentment born of the belief he had ignored plentiful, normal, garden-variety business in exchange for overly leveraged deals that generated irresistible margins reflected in artfully written balance sheets, acting on his early pronouncements of realpolitik, doing the things a man must do in business, politics and war as if von Clausewitz or SunTzu were in the next room. What had been little more than bridge table banter in the early years had come to pass. There were lawsuits and counter-suits and settlements and new business relationships. But I wasn’t part of any of that. In fact, I had changed careers altogether, severing my connection to the companies and the industries with which he would be doing business. Had I thought about it, the likelihood we would ever see each other again would have seemed remote. But I didn’t think about it.

The Los Angeles metropolitan area stretches from Redlands on the east to Chatsworth on the west, a distance of approximately ninety miles (if you were to drive those ninety miles you would never be outside ‘the city’, never clear of the developed urban mass), and from San Fernando in the north to San Juan Capistrano in the south, a distance of approximately seventy-five miles (and again, if you were to drive this axis, this seventy-five miles, you would likewise never be clear of ‘the city’), even allowing for rural enclaves, it is perhaps five thousand square miles and home to seventeen million people. At the best of times, say seven-am on a Sunday morning, it still requires nearly two hours to cross. On a Friday evening, it is impassable. And if you were to set off to find a specific person using only your eyes and your ears, you might spend a hundred lifetimes, or a thousand, and never once catch the barest glimpse of their silhouette passing into a building or the sound of their voice on a breeze. Only a nineteenth century novelist would dare suggest such a thing. Yeah, a nineteenth century novelist or real life. In late 1988, Kafka was waiting in my parking lot. Chekhov was with him.

I crossed the traffic lane toward my car in the early evening as I always did, the soft summer breeze whispering barbeque and an hour or two of cheesy television before bed, when a voice called out and I turned to see a somewhat heavier, yet more prosperous looking ex-co-worker I hadn’t thought of nor spoken to in ten years. He had friends in suits. They were all dressed in that vaguely flashy manner of upmarket salesmen meant to convey money and virility without drawing too much attention to expanding waistlines. They were in town to, you guessed it, reel in another renegade office for another too big corporation being run by men who had reached the limits described by the Peter Principle. This particular renegade office, unbeknownst to me, was located on the second floor of my building. The meeting had been pure chance.

We met for lunch. Three of them, one of me. Ten years had taken the edge off the anger, dulled the resentment. I suppose I could blame what followed on the business cycle but the truth is I was weak and they were strong. I went back.

The business had changed, they said. The traditional model was dead. Where we had been driven by providing specific goods and services we were now providing numbers and reporting, employee classifications and insurance models not possible for the primary employer but all too easily possible for the stand-in employer. But still, even in the new world, someone had to run the front office and so I was busy and gainfully employed once again. And he was free to be creative. I would like to say it was obvious what he was doing and that I was onto him but self interest carries with it a kind of myopia and you are allowed to go on regardless of what should have been apparent. In the end it blew up in a spasm of suits and counter-suits (been here before?) and once again he landed on his feet and once again there was scant room in the lifeboat.

That should have been it. But life has a rule which might be stated thusly: You may not proceed until you have learned my lessons. Our paths would cross twice more.

These were my travelling years. I was responsible for operations from New Jersey to sunny Southern California. I was flying a couple hundred thousand miles a year. With frequent flier miles like this, I was typically upgraded to the front of the plane, better drinks, more smiles, higher grade of BS and a sense of entitlement all around.

One morning in Los Angeles, I was later than usual, maybe the last to board, but with the upgrade I knew I had a seat waiting for me. I stepped on the plane, exchanged greetings with the stewardess, looked at the overhead bin and glanced instinctively at my aisle seat. The guy next to the window looked up. Yep. Kafka. In my ear, I could hear Life laughing at me. Stowing my small bag in the overhead, I considered the options and finding none,  decided a three hour flight posed a Zen challenge. I would chose civility and a kind of jocularity which stopped just short of friendliness. He was, after all, a remarkably easy guy to talk to and, lord knows, we had plenty of history. I would baffle him with cordial disconnectedness.

We talked mostly about the old days, the old gang, the days before the rancor. We talked as if there was no rancor, no interim, nothing between us and the good old days of bridge and the Dodgers, fast cars and the silliness of Ayn Rand. It was easy to do. The time for explanations had long since passed. It was as though we were looking across an enormous canyon and discussing the lovely landscape on the far side all the while ignoring the yawning void. His charm and his stories were intact although there was a sadness about him. Yeah, a sadness. I was being conned and I knew it. And he knew I knew it. When we landed in Houston, we didn’t leave the plane together. As I went up the ramp, he was engaged in a heated exchange with the stewardess about a wine stain on his tan ultra suede sports coat. He was charmless.

Fifteen years passed. His name came up only rarely, perhaps less than once a year. I heard very little and what little I did hear it seemed was more of the same. New businesses, more lawsuits, more ‘creativity’. And then, for about five years, nothing. Until last year, in January, at a trade show in Las Vegas, my wife and I were just leaving a nearly deserted coffee shop following breakfast. As we passed through the lobby area, there were three people standing, in conversation, two men and a woman. I hardly noticed them. One of the men reached out and stopped me, extending his hand as if to shake mine and said, ‘Michael Ryerson, what are you doing?’ It was him, one last time. And the tone told me the ‘hail fellow, well met’ salutation was as much for his friends as it was for me. In his tone and body language he was telling them this was a serendipitous meeting and held the possibility of goods things, indeed. I answered factually, in a flat dry tone to warn him off, as if it mattered, but he would not be dissuaded, he pressed on, ‘No, I mean, what are you doing?’ with a special emphasis on ‘doing’ as though there was an important distinction being missed. His friends, who he had introduced as his ‘new’ wife and a long-time ‘consultant’, whatever the hell that meant, were leaning forward so as to not miss a scintilla of this most important exchange. ‘When are you leaving? We’ve got to get together for breakfast or better, dinner, how about we take you both out to dinner?’ (at this I could feel my wife pull back) ‘We’ve got big things happening, I’d love to have you look at them and give me your feedback,’ again the friends leaned closer, momentous forces were at work, ‘if not here then when are you getting back into Houston? We can have dinner in Houston. Here take my card, call me or I’ll call you, okay?’ I should have put the kibosh on it right then but sometimes my breeding takes over (not often, but sometimes) and I just couldn’t carve him up in front of his ‘new’ wife and long-time ‘consultant’. I nodded and smiled and left. The next day, a Saturday morning, he reached me in my office. For a moment, I let him talk, just let him rattle on and marveled at the gift, the casual, good-naturedness, glib but not too glib, perfect pitch, just perfect, I listened to his rhythm and intonations, what a frigging master! A nod at some kind of apology for those ‘difficulties’ all those years ago and what good are grudges anyway, bygones be bygones, and then on to more important things, big doings, and then when can we get together? And then I put a stop to it, explaining I could have said as much in Las Vegas but wouldn’t embarrass him in front of his ‘new’ wife and business associate but we aren’t going to have lunch, I won’t waste your time or mine, there isn’t anything you could say that could move me, I’m happy, my wife is happy and we’re, thankfully, in a good spot and I wouldn’t do anything that might jeopardize that in the least. There was a long pause, I could hear him breathing. He isn’t used to this, having someone cut him off, this was new ground for him. And then finally, ‘Okaaay…’ drawn out as if to say, ‘You’re making a mistake, you haven’t even heard my ‘deal’ yet’, drawn out as if to give me one last chance to capitulate. I closed with ‘Good luck and take care of yourself’ and meant it.

In April, someone sent me a copy of the federal complaint. It ran to twenty pages, named him as an individual along with fourteen corporate entities (companies he owed) and totaled $113,000,000.00 before penalties and interest. The date on the complaint was the previous November. In other words, when we saw each other in that Las Vegas coffee shop and subsequently, when he called me in my office, he was sitting on a one hundred million dollar federal indictment.

Yesterday, someone sent me a copy of the settlement.

The mills of the gods may grind slow but they grind exceedingly small. The government began swallowing his assets. First they took everything he owned and everything he would ever own; his savings, his cars, his house and everything in it. Then they took  his future earnings. They saddled him with a thirteen million dollar personal judgement. He may not now own a business of any kind, nor can he be employed where he might exercise any control or influence over employee salaries or wages, withholding tax monies, insurance premiums or retirement funds. The mills of the gods.

I’m not sure why but this all reminds me of a comment J. Paul Getty once made about his wealth, he said, ‘I didn’t really think I was rich until I found there were people willing to lend me a million dollars.’ Two sides of the same coin, I guess.

Michael Ryerson

Additional dialogue. During the two and a half years since I posted ‘Butch’, I fell into the habit of daydreaming, from time to time, what his life must have become following that judgment. His job skills were squarely in the sights of the prohibitions named in the judgment and therefore off-limits to him. What could he do? At his age (approaching mid-seventies), starting over was an unlikely option but with this judgment retirement seemed even less likely. So what? A job? Doing what? Social Security and the kindness of what few friends (if any) he still had? A room in one of his son’s houses? He had not been, generally speaking, a doting father so this would be a particularly bitter accommodation. But still this seemed possible, maybe even probable. He had spent his entire adulthood sowing this desolation. Every once in a while, maybe once a quarter, I would Google his name just to keep track of him. Curiosity, pure and simple and yet oddly mesmerizing. But there were no tracks. He ceased to exist as of the judgment. The entries became familiar with little-to-no variation, some people with the same name appeared; a musician, a jazz saxophonist; some guy in Wisconsin who’d died in 1843; some news stories and documents from the federal case, some old publicity for several of his companies, some stuff about his ex-wives. Always the same. After a year or so, I could scan through it all quickly, checking things off as I went. Until yesterday.

Piss Off

So they’ve got a photograph of four Marines taking a leak on some dead guys? And this is news? I am shocked! Shocked! That there’s gambling going on in here! Oh, the humanity! So let me get this straight, just what the fuck do people think happens when you set these things in motion? When the tough talk is the applause line and looks so good in the paper, when sending someone else’s kid halfway around the world sounds like a good idea. Just what do people think are the natural consequences of an unthinking foreign policy that brandishes the lives of nineteen year olds like so many poker chips? Couple of guys get locked up, rolling around on the ground or trading gunshots or punches and one of them’s got to die. Just that simple. And if you’re lucky, you’ve got a couple of friends who’ll pitch in and help you kill this cocksucker, yeah, two or three against one, maybe four or five against one. This ain’t junior high school. There is no fair about it. The Marquis of Queensbury was a pussy. And when the sun comes up, if you’re still alive, you’ll find corpses with two, three hundred bullet holes in them and body parts and you’ll walk around collecting the bigger pieces, like some fucking jigsaw puzzle, and try to come up with a body count considering you’ve got damned few whole bodies. You’ll dig a pit and you’ll gather up the little pieces using your entrenching tool like a serving spoon, pieces of brain or muscle or snot, fingertips, a scalp maybe, and you’ll dump them in the pit so you won’t start getting sick in a week or so as the rot sets in. Yeah, you’ll do all these things and it’ll piss you off that you’re doing them and it’ll piss you off that some prick came in here to kill you and if you’ve got to take a leak, well, you’ll take it right on one of these guys and you don’t owe anybody a goddamned apology.


Michael Ryerson


                                    She would never say where she came from
                                    Yesterday don’t matter if it’s gone
                                    While the sun is bright
                                    Or in the darkest night
                                    No one knows
                                    She comes and goes

                                                             Keith Richards, Ruby Tuesday


August, 2004

The big car floating in near silence on a wide, empty road, the rearview mirror dark, the boy asleep in the back, his outline sharp, angular, the woman asleep, her face relaxed, beautiful. It is the summer before college. He still sleeps as a child sleeps, peaceful and unhurried, but his childhood has passed. The little boy is gone.

The road runs south, a broad expanse of white concrete, four lanes, pristine, cut with tiny grooves to ensure traction in bad weather, the tires sing a faint E-flat. Eight miles out we make a wide, gradual turn to the left and run toward the black, eastern horizon.

I hear a familiar voice and ease the volume up, Diana Ross mewing, her feline voice that sensuous mix of pubescent neediness and promise…                            OoooooOooOooOooooo, Baby love, my baby love, I need you, oh how I need you… 

Two guys changing a flat tire on the side of the highway. They look as though they’ve done this before. They seem to have everything under control. I watch them in the rearview mirror.

But all you do is treat me bad, break my heart and leave me sad,

When I got back, I’d go out at night and drive for hours. Most nights I’d sleep in my car. I’d go up the coast to Santa Barbara and turn around and come back. One night I went all the way to San Luis Obispo. Sometimes I’d pick out a street, Western or Washington or Atlantic Boulevard and just drive the whole goddamn thing, one end to the other. I didn’t know what I was doing but it made me feel better and for a few hours nobody knew where I was. That was a funny part of it, it felt good somehow that no one knew where I was. Sometimes I’d glance in the rearview mirror and see an intersection through which I’d just driven, and I couldn’t remember driving through it. I couldn’t remember a lot of things in those days. You know, you can drive across the city and not think about it…or at least that’s the feeling you get. Maybe you’re just thinking so effortlessly that it seems like you’re not thinking. You get into a rhythm and the traffic lights and the other cars kind of recede somehow and they’re just there and you’re dealing with them and no longer thinking about them. I could see the road string out, things slow down, I could pick out the dates on some of the bridges, wonder when the asphalt went down or the curbs went in. I could watch the buildings change from one neighborhood to the next, the age of them, the brick and the cracked sidewalks, the fire escapes, the narrow alleys, the glass and chrome, the wide boulevards, the big houses, the grass, the manicured parkways. I could see it all. Just keep moving.

tell me, what did I do wrong…to make you stay away so long,

The crescent of lighted road rushing forward is inexhaustible, the landscape passing unseen, the low whisper of the engine and the wind…

For a long time, I had this feeling they were coming for me. Weird, I know. Sometimes I felt as though the feeling would eat me alive. It didn’t matter how far I’d drive, the dread would overtake me. I usually slept in my car or on somebody’s couch, wherever I happened to be. I couldn’t shake the feeling that when you sleep in the same place, they can find you. I know that’s crazy but that is the exact feeling. I don’t have that feeling so much anymore. Maybe I got over it. Maybe I learned how to live with it. Maybe I’m just resigned to it now, I don’t know. Some things you can’t change, you can’t change what’s coming. There’s nothing I can do about it.

Baez singing in the night…, how sweet the sound, that saved a wretch like me…

In the early days, I guess it was the church music and the singing, Mrs. Bradley with her short thick fingers and great forearms, hair marcelled into a tight brown helmet, glancing at the pastor, turning her head left and right, finding the keys and pounding away at the keyboard, striking every note with the same hammer-like precision completely without modulation, playing as loudly as she could, trying, it seemed, to drown out the congregation. And my father, never glancing at the hymnal, singing in a careful tenor from memory.

And grace will lead us home…

                                     grace will lead us home

In the first grade, there was Mrs. Stevens gently cradling and strumming an auto-harp, our bird voices raised and holding long notes while she searched furtively for the next combination of buttons to press and taking so long that the melody was lost in the interim.

But then, in second grade, there was Mrs. Brandt, so slim and small with her big eyes and gentle voice, simply sitting down at our upright piano and noodling around and joking with us and making us laugh and then, without fanfare, bringing forth Mozart with absolute assurance, completely in command and smiling all the while and looking around at us to see if we were listening and of course we were transfixed… so many notes, so close together and so quickly played that it made us giggle with delight. And in the hallway, other teachers brought their classes to stand and listen but we got to sit on the rug in the room with her and with that music.

I rest my hands on the wheel lightly, the big white car driving itself. Somewhere a DJ sits and serves up the voices of dead men…the syrup-sweet voice…Don’t know much about history, don’t know much biology,…

The late, great Sam Cooke, half naked, wearing one shoe, shot to death in a motel down on South Central…’Lady, you shot me,’ his last words…I wonder if she noticed his voice…

The Morning Man comes on, a thick, rich basso profundo, a perfect pitchman for the siding he sells, for the bank he believes in, for the car dealer who’ll give me a square deal. He tells me the time, I glance involuntarily at the dashboard clock, he tells me the weather, no surprises, and slides effortlessly into some Brian Wilson magic…simple melody, complex harmonies, sneaky smart lyrics, the tempo measured, insistent…

                                       Well, east coast girls are hip,

                                       I really dig those styles they wear,

                                       and the southern girls with the way they talk,

                                       they knock me out when I’m down there…

I was 12 or 13 when my father taught my mother to drive, preparing even then, I think, for their separation and divorce, although they didn’t know it yet…

                                        The mid-west farmer’s daughters

                                        really make you feel alright…

They would go out in the evenings and I could see they were kind of resigned to it and come back an hour later, sometimes mad…

                                        And the northern girls with the way they kiss,

                                        They keep their boyfriends warm at night…

                             […Dennis on drums here, a nice little tempo bridge…]

Later that year, he sold our Plymouth Belvedere, the first and only brand new car he would ever own, and bought two little French cars, with tiny engines; his white, hers egg shell blue. And for a long time, she was too frightened to drive on the freeway or any busy street for that matter, but finally worked up her courage and in the summer, took us through Topanga Canyon and up the coast highway to Malibu, just a quiet beach in those days, where we could rent idle surfboards from the surfers reclining there, for 50 cents an hour and she would lay on a blanket and read her paperback, while we tried to find the sweet spot of the waves. Of course, the surfboards were only idle when there were no real waves to speak of and the surfers were amused that we’d give them money when the surf was basically flat. We didn’t care, we were in the water and standing up and that was enough. When the waves were bigger, we’d have to stand and watch, hoping to see how it was done and maybe sneak a peek at the long legged girls who were also standing and watching…

                                           I wish they all could be California,

                                           I wish they all could be California,

                                           I wish they all could be California girrrls…

In the night, I could hear their voices, low and insistent, negotiating, pleading, yielding, muted, far away. I couldn’t hear the words and I pretended not to know what they were talking about but, in my stomach, I knew. Kids always know. To a kid things are supposed to work out one, specific way and they know when that ain’t gonna happen. It feels like standing on the edge of a cliff with your eyes closed. I started sneaking out at night and sleeping under the elm tree. In the dark, I could find a sleeping bag in the rafters of the garage and spread it out on the lawn and look at the stars and their voices couldn’t reach the elm tree. I slept in the back yard for the whole summer. Finally he moved away.

Carl Jackson moved onto our block that winter and we ripped out the backseat of his ‘53 Ford so we could stuff surfboards through the trunk and I gave Gordy Munoz twenty dollars for an eleven foot Hobie that his sister had bought and used once and, for an extra five bucks, he threw in an old blue board he had stuck in the rafters of his garage that he swore was a Gordon&Smith but didn’t have any logo on it and no one could remember where it came from.

It was the year Carol Watanabi was killed, walking her bike across Saticoy, by a young mother driving too fast, who was maybe distracted by the kids in her car or the late afternoon sun or something. And a few days later Jimmy Gessner and I rode our bikes down to see where it happened but there wasn’t anything to see really, except maybe the gouge marks on the asphalt where her bike went up under the car. I wonder if that lady ever saw her. I wonder what it sounded like when she hit her. I wonder if she’ll ever forget that sound.

We started driving ourselves to the beach, scraping together two dollars for gas and carrying a little square of hard paraffin wax in the hip pocket of cut-off Levis. And some older guy at Malibu punched Carl out, split his lip and chipped a tooth. That was the year we stopped being those kids who paid to ride someone else’s board and suddenly became ‘those ass-holes from the Valley.’

I allow the car drift out to the left lane, two tons of Swedish engineering running across the alluvial plain, the wind noise faint, the boards on the roof whispering, the big Michelins humming at 70 miles an hour, the road looming up, sweeping under the car and receding in the rearview mirror. We lose two lanes, the white concrete disappears, we get asphalt, the Michelins go quiet..a flash of lightning on the southern horizon. ‘Scattered thunderstorms,’ the Morning Man says, ‘scattered and then clearing’    …scattered and then clearing…

…lightning on the southern horizon…

The road swings right in a lazy arc, the ramp tilted to accept the centrifugal embrace of the tires, we rise up and lean over and gently come back level, return to the plain, heading south now, through the salt marshes and stands of soft pine…the thunder-heads flashing in the far distance…Fogarty is singing…an anthem maybe..a smoky wail….

                                           Don’t go around tonight,

                                           Well, it’s bound to take your life…

                                           There’s a bad moon on the rise…

                                           I hear hurricanes a-blowing

                                           I know the end is coming soon…

                                           I fear rivers over flowing…

                                           I hear the voice of wreckage and ruin… 

voice of wreckage and ruin…The big white car is floating in space now…wreckage and ruin…somebody kicks my foot and I hear a voice say, ‘It’s four,’ I roll over, blinking and look up at Rod’s silhouette against the stars and he says, ‘It’s four o’clock.’

‘Okay,’ I answer and sit up slowly.

He kneels down, ‘How are your feet?’


‘Are they bleeding again?’

‘I don’t know, I don’t think so. Maybe.’

I look around. Two hundred guys sleeping on the ground, a couple of guys sitting up. The airstrip a dark hump, silent. Far over to the left somebody’s taking a leak. I smell cigarette smoke. I hear somebody hock and spit.

‘They don’t have maps,’ he says.

‘What?’ I say, squinting, trying to see his face.

‘They don’t have any maps, they say we’ll get them when we get down there.’


‘No, really. I talked to the Lieutenant and the Captain was standing right there’


voice of wreckage and ruin

I try to get my mind around this…we’re flying into a probably hot LZ and we don’t have a goddam set of maps? What the fuck can these guys be thinking? I stand up and have to catch my balance, my feet burning…

’Where you going?’ Rod whispers.

’I’m going over to regiment, I know somebody who might have some maps, then I’m going down to battalion, somebody’s got to be sitting on some maps.’

I pull on my flak jacket, swing my bag onto my shoulder and pick up my rifle, about fifty yards down, I stop and piss into a ditch.

bound to take your life

Rod catches up, with Dave and Ernie right behind him, and we start down the road to regiment. A battery north of the river, Kilo I think, opens up. We all stop and look across the river into the dark. Six 8-inch howitzers in near unison, the battery report a deep thunder followed by the hiss of the departing rounds, whuwhumwhuwhump…. …ssssssssssssssssssss, twelve hundred pounds of high explosives headed for North Vietnam. Good Morning, Fuckers. Rod lights a cigarette and Kilo goes again, whuwhumwhuwhump …sssssssssssssssss …more lovely parting gifts…more body parts…

wreckage and ruin

                                           Hope you got your things together.

                                           Hope you are quite prepared to die.

                                           Looks like we’re in for nasty weather.

                                           One eye is taken for an eye.

So this captain has really, really light blue eyes and I have to look at him twice to be sure he can even see me and he looks edgy. He glances at my binocular case and he knows why we’re here and he’s going to stonewall us…I can see it, his hands are fluttering. This fucker has to know how stupid this is, I wonder how long he’s been here, his boots look almost new but maybe he wore a pair out, his hands look soft and he’s got no tan but maybe he doesn’t tan…his eyes tell me to be careful…I think he’s been here about a month…

’No maps, Sergeant, none, they’ve all been pulled, they’re already down there.’

He’s trying for that ‘command presence’ thing, trying to intimidate us but his hands give him away, he knows he’s selling some weak shit…I’m just staring at him, trying to keep the disgust from showing too much, I know I’m on thin ice here, I feel a little sick…

’Look,’ he finally says, ‘find Lieutenant Espinosa on the tarmac, he’s got the last maps. Take a look at his.’

What does he think? I’m going to fucking memorize Espinosa’s maps? Gosh, do ya think he’ll let me hold em, Captain? Shit, this is more fucked up than anything…

‘Yeah, thanks Captain,’ I say, trying to control the sarcasm, ‘…that’s what we’ll do.’

As we leave, I feel Ernie holding back, feel him starting to see ahead, to see what’s going to happen on the LZ, what’s likely to be the end for somebody, maybe everybody…and I don’t think me peering at Espinosa’s maps in the dark is going to make Ernie feel any better…without looking at him, I can see the questioning look in his eyes, asking why are we walking outta here? Are we going to leave it like this? Are we going to accept this? And, at the bottom of it, what he’s really asking is are we actually getting on these fucking helicopters this morning? I’m trying to see a way to get control again, of getting Ernie to calm down, to stop this from spreading too far…Dave and Rod seem to be okay, focusing on the practical, the nuts and bolts of it but Ernie is really fucking nervous, I can feel him looking at me…and I’m having some trouble too. In my mind’s eye, I’m seeing a bad LZ, I’m seeing a lot of casualties…I’m seeing maybe Crow all over again.

nasty fucking weather

The DJ gives the time and I check the dashboard clock again. We pick up a little squall, the droplets scurrying up the windshield, the wipers capturing them and sweeping them aside, the Michelins hiss, the big car nimble on wet pavement. The boy raises his head blinking and looks absentmindedly out the rear window at the rooster-tail of mist and, without saying a word, lays his head back down. He won’t remember looking. The Morning Man picks his way through the local news. I watch the dawn. The stars fade and retreat, the eastern horizon showing faint grey and pale blue, bleeding to violet, purple and orange, Monet ascendant, Soleil Levant. I power the window down an inch or so, and take in the morning air, heavy with the smell of the rain-soaked land, of the sloughs and bogs, the estuaries and the ponds, of the backwaters and the rotting leaves and  the straw and the peat…

‘…call my friends…a Bank you can trust…’

Rod leans in, ‘Have you done the calendar yet?’ I smile and nod at the ritual…’Wait,’ I say, and reach into my left breast pocket and fish around behind the little Bible for three playing card sized calendars…and bring them out into the dim light. Rod holds my flashlight. Three little calendars, two completely marked off and Rod watches and Peterson watches, and some of the others come over as I bring a pen to bear on today and soon today is gone behind the ink in an act of faith, an act of faith, and maybe, on this morning, an act of will. I put the little calendars away. Little rituals to pass the time, little rituals to mark our passing. Little rituals but maybe sometimes not so little….I look at my watch, 0522. In the pre-dawn, the sky lightens and the ground grows darker, the airstrip shows only a black spine running east and west. I kneel in the dark and fold the empty map case into my bag and run through a short inventory and there is the sound of other men going through their own personal inventories, of rustling canvas bags, of snaps and zippers, of metal on metal, of bolts being worked and magazines being loaded, of reaching in pockets, of checking web belts, of feeling through dark bags for dry socks and an extra shirt, a clean towel and a little piece of soap. For a toothbrush and toothpaste, eye wash and sun glasses, a fork and spoon, and c-ration cans, beans and meatballs, turkey loaf and pound cake, some instant coffee, an envelope of hot chocolate, three canteens of water, lip balm, nail clippers and a pocket knife. Powder for my feet and ointment for my feet, two stolen Darvons stashed for my leg, a little box of Sucrets, some band aids, salt tablets and aspirin. A snoopy blanket and a poncho, matches and heat tabs, a couple of extra John Waynes and toilet paper, lots of toilet paper. And, of course, weapons and ammunition, magazines in, round in the chamber, safeties on, four extra magazines for the M16 and two extra for the .45, a Kabar and a bayonet. Two fragmentation grenades, two smoke grenades, field dressings, iodine and Halizone tablets, chewing gum and insect repellent. Flashlight, extra batteries, a pair of wire cutters and an extra battery for Rod’s PRC-9. Binoculars. Stubby pencils and a ball point pen, scratch paper, a couple of letters, a couple of snapshots, a beat up paperback of Blake and a little Bible my father carried in his war. And then the lists; lists of map coordinates written inside-out, lists of radio frequencies written backwards and registration points and passwords, all in personal shorthand, no plain English allowed, numbers on numbers, lists of LZ’s and lists of call signs, call signs for units, call signs for grunts, for med-evac, for resupply and supporting arms, for artillery and mortars, for air strikes and naval gunfire, and finally, a list of men, The List, by name and rank; another sergeant, three corporals, eight lance corporals, ten PFC’s, two privates, a corpsman and a lieutenant. Twenty five men. Twenty five. I figure the Lieutenant can look out for himself… I hope. And a couple of grease pencils and an empty map case. An empty fucking map case. I rest for a minute…

                                           In what distant deeps or skies

                                           Burnt the fire of thine eyes?

                                           On what wings dare he aspire?

                                           What the hand dare seize the fire? 

They gather round…and the Lieutenant starts to speak and he’s wandering all around it…blah, blah, blah…My watch says 0531. I watch their faces, impatient, intent, tired…finally I clear my throat and stand up, he takes a breath and I hear my voice, “All right listen up…,” they turn toward me, “nothing new. They’re telling us the LZ’s a soccer field. Remember Tam Ky?” and here I pause and look around and realize no one here will remember the soccer fields at Tam Ky.  “Well, there’ll be a lot of open ground and probably no cover. One guy says it’s actually a soccer stadium so I’m not sure what to believe but they’re saying a lot of small arms fire. That I believe. All right, two things, safeties on, let me say that again, safeties on, check your own and then eyeball every safety in your group.” I look at Ernie and Dave and Peterson, “No more accidental discharges goddam it. Let’s not put a hole in one of these helicopters. Second thing, clear the LZ quickly, we don’t know what it’s going to look like but get the fuck away from the aircraft. Watch the door gunners on the approach, they’ll tell us if it’s hot but safeties on until the last possible moment…” They wait, thinking there’s more. There isn’t. I think about mentioning the maps but they already know anyway and besides I don’t know what to say. They stand and buddy-up, helping each other lift and fit pack-frames and bags, forming fire teams, heading for their groups. The worm in my belly begins to stir and my feet burn. I should have put on dry socks again. Just one more. Just one more. The words keep running through my mind. Just one more. How long can you bet the come line before the string runs out?…

                                          And what shoulder and what art,

                                          Could twist the sinews of thy heart?

                                          And when thy heart began to beat,

                                          What dread hand and what dread feet?

It is nearly silent. There is a soft, onshore breeze. I can smell the ocean and I imagine I can hear the surf. I close my eyes and try to clear my mind…what else? Always, what else? What am I forgetting? I squat down and play with the dirt. The dirt is always the same in these places, blasted by a thousand rotor blades, pounded by ten thousand boots until there’s only the hardpan and shiny pebbles left. Little shiny pebbles. What the fuck else? I hear Rod stir and I look up as he turns looking across the airstrip to the southeast, others stand and look. I turn and look, too. In the distance, the faint, thin whine of a single turbine cuts the morning air, a single turbine rising slowly to C-sharp, then a second and a third and finally a full chorus of turbines and blades coming awake. Somewhere beyond the airfield, the aircrews are pulling on helmets, checking their own weapons, counting ammunition, rotors are turning, engines are heating up. The worm that lives in the pit of my stomach sinks his teeth in and I feel that wave of nausea again. The groups form at the edge of the tarmac, eight men, maybe nine. We’re in the second flight from the second pad. First flight, eight guys, directly ahead of us. 0544. The eastern horizon now a blaze of violet and orange and from beyond the horizon, the sun slants up and catches a thunder-head and we are all bathed in an eerie reflected light. In the distance, from beyond the spine of the airstrip, a single Huey rises slowly out of the dark and sweeps along the south edge of the runway and then a second and a third follow and finally a fourth and they string out and come on in a long line, from left to right skirting the field and then a sweeping right turn, banking across the west end of the runway and they line up and come in on us, drop their tails and settle down in a line, everyone instinctively turning their heads against the flying debris. The rotor wash and the engine noise deafening, the airborne dirt and gravel radiating out and rattling off of flak jackets and helmets, one chopper to my left, one directly in front of us, with these guys standing and starting for the door, and two more choppers to my right, men hunched over carrying rifles and pack boards and the door gunners leaning out and helping, the pilots faceless behind their dark visors and canopies, their heads turning left and right as the aircraft load. I see people’s lips moving but voices are useless here, as the choppers lift off, I glance to the left, to the first pad, and see the Lieutenant with Peterson, Kelley and Kolb and the others moving forward to the edge of the tarmac, and to the right, on the number three pad, I can see Ernie standing with his head down…I nod at Dave and Rod and we move up to the edge of the strip and kneel, seven of us and Doc John. The outbound choppers rock forward, lift, hesitate and then sweep across the big mess hall and Delta Med and on toward the mouth of the Cua Viet. The following choppers from the three pad and the four pad pass over. The noise is deafening. I reach up and rest my hand on Rod’s shoulder, I feel someone put their hand on my shoulder. Four more choppers are banking across the west end of the field…and it’s our turn…goddamnit!…Oh Lord, I know I’m not real worthy but please, just one more.

                                           What the hammer? What the chain?

                                           In what furnace was thy brain?

                                           What the anvil? What dread grasp?

                                           Dare its deadly terrors clasp?

The Huey rocks forward, shudders and rises slowly, an aluminum and plexiglass bubble of anxiety rising in the belly of the morning. I reach for some chewing gum and glance at my watch, 0551. No maps. My stomach hurts. The chopper chattering and vibrating, we rise into the morning sun, the air goes cool, my eyes start to water, my ears pop. We hold steady to the east for a couple of minutes and clear the mouth of the river. About two miles off the coast, we begin a slow turn to the right, the glare of the South China Sea streaming in the door and reflecting in on the roof of the chopper. Off my left knee, beyond the toe of my left boot, beyond the skid, I can see the float, maybe five ships and some choppers rising to follow us south, their rotors cast a flickering shadow on the water. I glance at Rod. He looks over at me, his face blank, his eyes dilated. I think his stomach hurts, too. Beyond his chest, out the right hatch, I can see the smoke rising from Quang Tri, three thick, black columns. We keep going. It will be worse in Hue. It is the morning of a long day…

                                           When the stars threw down their spears,

                                           And water’d heaven with their tears,

                                           Did He smile His work to see?

                                           Did He who made the lamb make thee? 

The DJ comes on to say good bye, doing a voice-over with Otis Redding in the background, that it’s been his pleasure to sit up half the night playing forty year old tunes, that they’re classics, after all and that he’s cherished these last hours with us…’cherished,’ he says, always selling. The road bends slightly to the left, the back channels and the causeway just ahead, and he introduces his replacement, a sultry voiced woman of an indeterminate age with a bounce in her voice and she teases with the upcoming play-list…Ronstadt, Baez, Jackson Browne and some Stones…and then launches the morning news. But I only hear ‘…and some Stones’

What few records we owned were by this time scratched beyond use but the big bands were mostly gone, Benny Goodman, Glenn Miller, the Dorseys replaced by the ‘Champagne Music’ kitsch of Lawrence Welk, Spade Cooley with his fancy cowboy shirts and black heart, Cal Worthington, Dick Lane and Molly Bee. Tuxedo Junction begat Shame on You. It all played on the big RCA console in our living room and on our new television set on Sunday afternoons. This all belonged to my parents, this was their music. It spoke of their hard times and of their good. It spoke of wartime separation and renewal. Elvis happened too early for me and too late for them. The Beach Boys and the Beatles started it for me. Of course, the fact that the music was different and not appreciated by my parents made it mine, made it ours, of being somehow finally apart from them, of my first car, of the beach, of the first tentative fondling, of secret embraces, of touching in dark places and of having just one girl. And all the while, we were awash in these rhythms, these voices, with that time in our lives, when we were smooth and hard and quick. And later, much later, when we heard them again, when we were no longer smooth nor quick, we would still feel for a few moments as we felt then, when anything was possible, as though the world was about to lay down for us and we would have our way with it. Lurking in the background was the Stones. Where the Beach Boys and the Beatles were upbeat and optimistic even when they were trying to be dark, the Stones were insistent, self-indulgent, mocking, decadent. Where Paul smiled sweetly and raised his cherubic face to the light, Mick mugged and pouted and dripped sweat and Keith stared off across some unseen personal desert. After Southeast Asia there was only the Stones. After Southeast Asia, they looked like we felt. Shit, after Southeast Asia, they looked like us.

The boy sits up wrinkling his face in a frown of self awareness, waiting to come full awake, slowly moistens his lips and squints out at the sun slanting in at near horizontal. ‘Hey,’ I say and he smiles at me in the rearview mirror, ‘Hey,’ he whispers back. We pass two bait shops on the right, fishermen in baseball caps leaning against their pick-up trucks drinking coffee from styrofoam cups.

                                        ‘Live Bait, licenses and tackle,

                                           finger mullets, live shrimp,

                                         coffee, donuts and soft drinks,


                                         the signs say…

A ragged, bone-colored hound lifts his leg and pisses on a tire and beyond the clapboard buildings, in the back bay, a couple of rust-stained runabouts rise and fall, riding their anchor chains on a gentle swell. The boy stretches with a groan and the woman comes awake with a murmur. We reach the base of the causeway bridge as Keith sounds the great opening chord to Jumpin’ Jack Flash and the woman reaches over absent-mindedly and turns the volume down even further, the open chord riff pounding and echoing in the background, Keith on a Gibson acoustic tuned to open D, and the car rumbles onto the extruded iron grate and we can see the bay water shimmering oily green through the road bed and in the glimmer  I can see the salt marshes at Hue and the first flight choppers banking over, pounding, echoing…and somewhere in the ether Mick is a prancing, spinning jumpin’ jack…his voice harsh, insistent, even at low volume…the car rising up the long bridge and the backwater stretching into the morning sun, the first choppers bouncing in hard and we’re coming across the treetops fast, reflecting light onto the car roof…in the background, Mick is wailing…I was born in a crossfire hurricane...and I howled at my ma in the driving rain…[all the boys in long, low moaning harmony]…But it’s allll right!!! I’m a jumpin’ jack flash…It’s alllll riiight noowww!! In fact, it’s a gas!

We crest the bridge and start down the backside facing the town and the beaches beyond…

                                                     It’s a gaaas! gaaas! gaaas!

[…strutting, spinning, pouting, thrusting his chin, skipping across the stage, all insouciance  and menacing sexuality, reckless energy, unrepentant child.]

                                    I was drowned, I was washed up and left for dead

                                   But it’s alllll riiight noooww, in fact, it”s a gas!

                                   But its alllll riiight, I’m jumpin’ jack flash.

                                        …but it’s all right…it’s all right… 

Yeah, it’s all right. No apologies, it is what it is…and what did Keith say in his usual, self-deprecating way?…Five strings, two fingers, one asshole…yeah, and a mugging, strutting frontman…maybe the greatest frontman of all time… yeah, maybe…

The wind from the rotors is bending the trees, the fronds dancing…And we’re coming in fast over the treetops, the guy in the right door working out scattering shell casings and blue smoke and the guy on our side leaning out and looking down toward the LZ and far off to the left I can see a stone quarry and I don’t remember a rock quarry being this close to the river, in fact, I don’t remember a quarry being here at all and I realize it isn’t a quarry at all but part of the city I’m seeing, a quarry of broken buildings and sundered streets, miles and miles of destruction, torn and blasted, utter, complete…and we’re sweeping into the stadium, another helicopter still on the ground…men running to the left…watch your footing, goddamned helmet, Jesus H. Christ this bag is fucking heavy…god. damned. helmet…

It is just a tiny seashell necklace of a town, a little beach town pretending to be a resort and, like beach towns everywhere, awash in not-so-secret dry rot, weeds and peeling paint, shiny sports cars and suntanned women in big sunglasses, and silent men in rags searching the trash bins of sardine-can-condominiums with lyric names like the Windswept, the Seafarer and the Broken Anchor, liquor stores, pawn shops, head shops and, of course, at least one restaurant called the Tiki Room, and the McDonald’s, Walmart and the Radisson Suites Hotel, the flotsam and jetsam of driftwood businesses that hang on by dint of owners who live in the back and don’t take vacations, the bait shops, boat rentals and outboard motor repair, sea shell, skateboard and T-shirt gift shops and Sonny’s rent-a-bike. The road runs along the backwater piers dotted with early morning fishermen and sea birds. The boy watches, silently taking it all in and the woman looks at the map, ‘Donuts?’ she asks, and I nod smiling, ‘Yeah, sure…’ ‘Can we get some kolaches?’ the boy calls out. ‘Sure…’ I say, looking at his face in the rearview mirror…

At the ocean, we turn right and start down the wide boulevard that runs along the top of the sea wall, the shops and condos strung-out on our right, the sea, churning murky green and white, on the left, the sun still low behind us, a line of pelicans trace the surf-line, riding the draft coming up the face of the waves. We stop at a traffic light and I watch a thin, bearded, barefoot young man leaning against a shopping cart standing on top of the seawall, his ragged jeans hanging in folds, his hair matted, his pale blue eyes fixed on two joggers, a man and a woman, approaching his intersection. He stands motionless as they pass, crisp, sleek and well-fed.

I went to see Rod when he got out but he wasn’t there. One night, I saw his street name on a freeway sign in Lincoln Heights and got off the freeway and wandered around looking at the houses. But it was two in the morning and I didn’t know where he lived. But the street was only about five blocks long and I figured if I came back sometime in the daytime, someone would know. A couple of weeks later I went back. I knocked on some doors. Mostly I got blank stares. I think they were uneasy with a white guy standing on their porch. By the time I got to the third or fourth house, some people had come out on the porches across the street and were watching me. I think there’d been some phone calls. A couple of skinny vatos locos wearing hairnets and undershirts came out on the sidewalk and gave me their best menacing stare. Finally a small, suspicious woman listened to my spiel and when I mentioned the Marine Corps, she put her hand to her mouth and laughed and pointed right across the street. A twelve year old boy waited smiling on the porch. I told him who I was and he wanted me to wait for Rod to come home from work but I didn’t. I was sorry Rod wasn’t there right then but I had this sudden feeling of not being able to stand still, I felt like I was suffocating…Rod left a couple of messages at my Mom’s but I didn’t call him back. I knew I’d go back, I just didn’t know when. I didn’t think it would take so long. Anyway, we met at a bar down on North Broadway and had a couple of beers. It was good seeing him again, there’s something about just being around familiar faces, familiar voices. It was good seeing him again, good to sit next to him but there wasn’t much to say. There never is. I used to be surprised at how little there was to say. He wanted me to come home with him, but talking in the bar was good enough for me. Then he said a funny thing, he said, “You know, you’ve got to be careful what you say.” I asked him what he meant even though I knew, and he said, “You know, what you talk about, what you say you want. They hold it against you. You’ve got to be careful.” So I went home with him because I knew what he meant. You’ve got to be careful. You’ve got to watch what you say. We sat around the living room with his Mom and his sisters and his little brother, making small talk, until his Dad came home. His Dad is a short, stocky guy with powerful shoulders and big thick hands. He’s worked at the brewery his whole life and his face is creased with laugh lines. When we shook hands, we all sort of laughed. Rod put his arm around his Dad’s shoulder. Then we went out into the backyard and sat under a big old tree, the three of us, drinking Pabst Blue Ribbon and talking, with his little brother leaning against the tree listening to us. It was good. His sisters were pretty. I tried not to look at them. The property ran down a short hill to an old wooden fence and a couple of avocado trees. Looking southwest, through the telephone lines, we could see downtown L.A. and the sunlight flickering off of the cars on the 101. “You been doing some digging,” I said, half jokingly, motioning toward a pile of fresh dirt near the fence. Rod laughed, “Yeah, my Mom wants an orange tree and I was going to plant it for her.” We strolled down to the pile of dirt. The hole was four or five feet across and maybe five feet deep. “Jesus, it must be a big tree.” Rod looked into the hole grinning, “You know, the ground was so nice and soft, I just couldn’t stop digging. I really liked digging that hole,” he laughed. I had to admit it was a really nice hole. “And ya wanna hear something else kinda weird? Yesterday, my Dad and I sat up there under the tree and had a beer together and when he went back into the house, I came down here and sat in the bottom of that hole and finished my beer. Just sat in there where it was quiet and finished my beer.” I imagined Rod sitting in that hole, leaning back against black loam and quietly drinking his beer. It made me smile. We walked back up the hill toward the house. His little brother was in the side yard talking with some other little kids. His Dad’s chair is empty.

‘C’mon, lemme show ya something,’ he says and we go up the back stairs and he leads me down the hall to his room and he reaches for a closet door and, all of a sudden, I know what he’s going to show me. I don’t know how I know but I do and I know if he tries to pick it up, I might have to take it away from him and he opens the door and pulls these towels aside and there is the butt of a handgun showing on the shelf. A .45 automatic. But he doesn’t reach for it, just stands there smiling at me as if to say, “See? There it is. There’s mine,” as though we should all have one. Maybe we should. I don’t have the heart to tell him I don’t. “Ya wanna look at it?” he asks and now I know if I don’t pick it up he will, so I reach in under the towel and lift it out. It’s heavy. I point the muzzle at the ceiling, check the safety and glance at the bottom of the butt. There is a magazine in it. The hammer is back. He smiles some more and says, “And one in the chamber,” like this is something to be proud of. The hair on the back of my neck rustles, I know I’m holding a snake.

‘Jesus, why do you keep a loaded gun around with all these kids?’

‘Whaddya ya mean?’ He seems puzzled.

‘I mean, Jesus, why do you need to keep a fucking loaded pistol laying around with one in the chamber?’

‘Hey, nobody is allowed to come in here and besides what good is it if it’s not loaded? Why have it? I’m ready if those fuckers come for me.’

He says ‘fuckers’ as though we both know who they are.

I slide the pistol back under the towels. ‘What fuckers?’ I ask trying to sound casual.

‘Any fuckers,’ he says as though the very question is impertinent.

It is hard to argue with this. Hard to argue with a man with one in the chamber.

His Mom asks me to stay for dinner. Goddamn it, they seem happy.

Later that night, driving away, I think about a guy sitting in a hole drinking a beer and I think about those fuckers he’s expecting.

The island stretches out to the southwest, a long, low barrier island of salt grass and shifting dunes, four lanes of blacktop running 30 miles from Bolivar Roads to the San Luis Pass, 30 miles of back bay marshes and mud flats and little clusters of vacation houses on stilts, the road still empty except for a fisherman’s truck with rods sticking out of the bed and a sturdy mongrel dog with his head up, nose high, testing the breeze. The rain has scrubbed the air to sharp crystal: the bulrush and salt grass greens, the emerald, cadmium, turquoise and olive in deep relief against the whites and blues. It is a morning as Vincent would have painted it.

I balance a chocolate donut and a carton of cold milk. We pass the entrances to public beaches, parking three-dollars-a-day, a bait shop, a tiny country market, another bait shop, a lonely restaurant, the riding stables. The year-round shanties give way to boarded up vacation cottages and then to walled neighborhoods with guard booths and electric gates and grand kitsch houses on faux stilts. Twelve Mile Road, Hershey Beach, Public Access Turn Here, Spanish Grant, Thirteen Mile Road, Yacht Club Right Turn Ahead, Lots For Sale, Boat Slips Available, Pirates Beach and finally, behind a long low white wall,  Jamaica Beach, the name spelled out in rusting, filigree wrought iron. We pass the main gate, watch for the west entrance, wave at the guard, nod a hello, bear to the right, past the two story Tudor, past the salmon colored three story with the ship’s bell, watch for the turn.

Every summer, for three or four weeks, they take a house at the seashore and throw it open for friends and family to visit as schedules permit, and hey, don’t forget to bring the kids and the dog and a sleeping bag if you want and a good time is had by all. So here we are with the big black dog, a cooler full of drinks and a couple of boards on the roof. But with the onshore breeze the surf is mush so we’ll hope that this afternoon is good and besides there’s more donuts and introductions all around and did you see my new skateboard? And, oh yeah, keep your voices down cuz some of the little kids are still sleeping…They call it a bungalow but it is a bungalow in name only, the stuff of monied understatement. It is two stories of glass and chrome and wide verandas, of deep-grained wood, polished granite and stainless steel, of Kitchen-Aid and Zero-Cold and whispering air conditioners, of water colors of sea birds and boats, coffee table books of seashells and sailing ships and sculpture, while the actual, wild, living antecedents shimmer just beyond the balcony. It is vistas of nearby surf crashing silent behind glass, of sand dunes and salt grass and mute sea birds in a bubble of climate-controlled silence. Maybe this what we all want, what we all need, a comfort zone, an insulated bubble where we can hunker down and the elements can’t reach us, where we are safe from the world. Maybe that’s what we all want. And maybe we’re all afraid because we know, deep down, it isn’t possible, we can never be safe. They can always find us.

In the midmorning, we set out for the beach in a straggle of flip-flops and straw hats, folding chairs and sun visors. A troop of casual Bedouins.

He is standing thigh deep in the churning water looking up the beach toward me, his hand resting casually on a sharp, white dagger of fiberglass and polyurethane foam. He is smiling that wide smile of young men in love with motion. He is looking up the beach toward me and for an instant there is no distance between us, just two parts of the same thing. And just as quickly he is paddling away…He sits straddling his board with his back to the beach, watching the approaching swells, searching for the darkest trough, the deepest trough, waiting for the biggest wave of the set. He is patient, he will wait a long time but he has a limit and if his limit is reached he will choose a secondary swell and for a brief few moments he will carve a unique and fleeting parabola, boiling blue and white and green, across its face, joyful, temporary and then gone. And he will smile that smile again and turn and paddle out…

They had wedged a little bunker under the grandstand and a lieutenant was peering out, dispensing maps and radio frequencies. I took two of each. Rod jotted some freq. numbers down and then pulled out his shirttail and wrote something on it. I didn’t ask.

We cleared the stadium wall and worked our way toward the river and came upon a guy who had been wounded in the shelling. A corpsman was doing what he could, trying to maintain the appearance that something could be done. We knelt down. We tried to keep our faces blank, so that he couldn’t see in our expressions the inevitability but the blast had taken his left shoulder, arm and all. The chopper was still minutes away. He was lucid, being held by the corpsman, chatting and even laughing a little bit, trying to ignore what was happening. A couple of guys came up carrying a stretcher. One of them was holding a body bag.

Up the beach, someone has a radio playing, the music ebbing on the wind vague, indistinct and dreamy, music to laze in the sun by…and as the wind shifts it takes the music with it…

In the late afternoon a Coast Guard helicopter works its way slowly up the beach, a  young man braced in the open doorway looking at the swimmers and surfers and the people on the beach. They seem to pause just beyond the boy on the white dagger…I don’t want them to pause there, I want them to continue on up the beach, I want them to go about their business…

When the end finally came and they said I could go home, I knew I had to get away. Finally,  the plan had been reduced to its barest minimum, to survive and to go home. To go home and to forget about it. That was the plan. I knew I had to get away.  I thought going home would be far enough. But going home wasn’t going to be far enough for any of us.

Michael Ryerson

10 November

Today, all over the world, Marines will eat birthday cake. It is being baked this morning on every Navy ship and in every mess hall in the Marine Corps. It will be placed on every table where a Marine comes for dinner. It will be placed in green tins and sealed against the flying dust or the rain and carried in trucks or helicopters or simply by hand, to every Marine who can be reached, and they will eat cake today.

It’s hard to explain these things. I can’t really remember a time I didn’t want to be a Marine. I was raised in a family surrounded by veterans. My father and all of my uncles, most of the men who lived on our block had been in WWII. Every man who worked in my father’s grocery store had been in the war except Charlie the baker who was too old and John Toyama and Art Yuba who had lost everything they owned and been sent to Manzanar. John and May’s daughter Casey had been born at the county fairgrounds where they were held before the buses took them up north. But mostly the men in my childhood had served. Lots of tattoos and a scar or two but very few stories except when my uncle Dick was around and then we’d all force him to tell some of his funny stories. And once in a while, my uncle Bob would say something about North Africa. But that was all. I guess that’s how it starts. Little boys are wired that way.

So today they’ll have their cake. Some of them will look up and be surprised that they weren’t forgotten, that somebody took the time to bag up those little green tins and ride a helicopter or a truck out to their foxhole or bunker so they could have a piece of overly sweet white cake.

It’s hard to explain these things. My bus pulled through the main gate at MCRD, San Diego at about 10 o’clock on a Friday evening, passed under the Spanish arches, swung left and skirted the parade ground and came to a stop in front of the receiving barracks. We were like sightseers, tourists, everybody craning their necks, looking around, talking excitedly, until a drill instructor stepped onto the bus and shouted, “Shut your fucking mouths! Now clear this bus!” Total silence. Guy next to me looked like he’d been punched in the gut.

In the next three hours, we boxed up our civilian clothes, took our first Marine Corps shower, pulled on our first baggy green uniforms and stood in line to get our haircuts, eight chairs, no waiting, fifteen seconds under the cutters, three seconds under the air hose and out the hatch to your right and get on the yellow footprints. Except when we cleared the hatch, a drill instructor stopped us from getting on the yellow footprints.

He stood in the dark street with his hands on his hips and watched us form into a crowd at the edge of the light from inside the barbershop. “Do not stand on my yellow footprints. Stay off of them,” he said. There was some whispering and he shouted, “Shut the fuck up! Just stand there like the mob you are.”

When we’d all come out, he said, “Now listen up! You’re a sad fucking bunch. I see fear in your faces and confusion and I can see some of you are feeling sorry for yourselves already. Here three whole fucking hours and already feeling sorry for yourselves! Well, let’s get something straight. I want you to look at these foot prints and I want you to know they’ve been here all along, from the fucking beginning. Year after year, generations of boots have stepped onto these footprints. When we get you stinking civilians in here, we have to have a way to start the process and it starts right here with these footprints. When you step onto them you’re going to form up into an actual formation, a platoon. The footprints are here because you can’t do it by yourself and we don’t have the time to go through all the words it would take to get you into an actual, fucking formation, so we have these foot prints painted on the ground. From now on, every single time you form up, this is how you’ll form up, in this shape, with this spacing. When I, or one of your other Drill Instructors, call you out, this is how we want to find you. But there’s something else these footprints should tell you.’ [here he paused…] ’When you’re feeling sorry for yourself, that it’s oh so hard, that maybe you made a mistake, that you won’t make it, remember this, thousands of men have passed through here, thousands of men who wanted that uniform just as bad as you want it and they made it and they started by stepping onto these painted footprints. Men headed for China, Nicaragua, Costa Rica and then the men headed for the Solomon Islands, Guadalcanal and Tarawa and yes, Iwo Jima. Some of the feet that stepped onto these footprints were later wrapped in rags and walked out over the ice of the Chosin Reservoir carrying their dead and wounded. Those men were here once looking at these same footprints.’ [again he waited…] ’Now you will stop being civilians and start trying to be Marines. Form up!” And he stepped back, out of the way and we moved onto the footprints. I found myself in the first rank, second man from the left. I looked down at the painted footprints one last time and he grumbled, “Turn to the right, forward march…!”

Two days later, we got our dog tags. No big deal. We were told to slip them around our necks and feed them into our shirts and get back to work. That night, after lights out, I could hear guys pulling them out and looking at them. In the dark, I could just barely see mine, four lines embossed on thin metal; name, service number and blood type, religious affiliation and the fourth line, four letters, USMC. In the dark, I ran my thumb over those four letters – then I did it again.

Two years later, I sat in a bunker on the south face of Charlie 2 with fifteen other Marines and listened to the artillery shells impacting Con Thien to our north. The deep “whump, whump, whump” went on and on. They had been taking nearly a thousand rounds a day, every day. Someone finally muttered, “Jesus!”, and the explosions just continued. By this time, we were getting shelled everyday and when they paused with Con Thien, we knew it would take the gunners in North Vietnam about four minutes and then we’d start to take incoming. Guys gathered in the doorways of the bunker and waited. “Whump, whump, whump, whump” I looked over at Spike and he just shook his head. “Whump, whump” and then silence. Involuntarily I swallowed. It was our turn. A couple of guys skidded through the door, looking for a place to sit it out. Then another guy comes running in dragging a duffle bag. Outside someone yells “incoming” and then a moment of absolute silence, then three enormous explosions and the bunker shudders and dirt cascades from the roof and we all sit quietly taking it… the air coursing with more impacts, everybody mainlining adrenaline. Eight minutes, ten, maybe more. Someone outside yells for a Corpsman, Doc John moves to the door and waits for just a second, “Whump, whump…” and he disappears out into the battery, wiremen crouching in the doorway hesitate and then leave to find and repair broken communications wire. The shelling goes on. Whump, whump… Then finally a shell explodes outside the bunker door and then the quiet and we all wait listening… ten seconds, fifteen, thirty… is it over? I find Spike and he shrugs. They’ve done this before. We wait a little longer, my ears ringing like fuckers. Finally someone looks at the guy with the duffel bag and says, “Where ya goin’?” and everybody laughs. But he smiles and loosens the top of the bag and reaches in and pulls out a bent green tin of birthday cake. In the bag, he’s got twenty five pieces of birthday cake.

It’s hard to explain these things.

Michael Ryerson

American Splendor, indeed.

July 12, 2010 

He was resigned, fatalistic even, his whole life long. He was obsessive-compulsive and clinically depressed so it came as no surprise. He knew it would end this way. Went up to bed in good spirits (for him, I guess) in the late afternoon. Was found wedged between a dresser and the bedframe at one am the next morning, by his wife. Suffered from a half dozen ailments the last few years, any one of which could have killed him, no official cause yet though. Harvey Pekar, dead at 70, who said, ‘My name is Harvey Pekar – that’s an unusual name – Harvey Pekar. 1960 was the year I got my first apartment and my first phone book. Now imagine my surprise when I looked up my name and saw that in addition to me, another Harvey Pekar was listed. Now I was listed as “Harvey L. Pekar”, my middle name is Lawrence, and he was listed as “Harvey Pekar” therefore his was a – was a pure listing. Then in the ’70s, I noticed that a third Harvey Pekar was listed in the phone book, now this filled me with curiousity. How can there be three people with such an unusual name in the world, let alone in one city? Then one day, a person I work with, expressed her sympathy with me, concerning what she thought, was the death of my father, and she pointed out an obituary notice in the newspaper for a man named Harvey Pekar. And one of his sons was named Harvey. And these were the other Harvey Pekar’s. And six months later, Harvey Pekar Jr. died. And although I’ve met neither man, I was filled with sadness, ‘what were they like?’, I thought, it seemed that our lives had been linked in some indefineable way. But the story does not end there, for two years later, another ‘Harvey Pekar’ appeared in the phone book. Who are these people? Where do they come from? What do they do? What’s in a name? Who is “Harvey Pekar”?’

He also said, “Life is a war of attrition. You have to stay active on all fronts. It’s one thing after another. I’ve tried to control a chaotic universe. And it’s a losing battle. But I can’t let go. I’ve tried, but I can’t.”

Harvey L. Pekar died in Ohio yesterday of God only knows what.

Michael Ryerson

Dry Hustle

April, 2005

I happened to catch this morning’s interview with Michael Smith on The Today Show. Mr. Smith is in the news for having stood in a bookstore line for an hour and a half so that he could spit a mouthful of tobacco juice in Jane Fonda’s face (and then run away). He was unrepentant, saying when he returned from Vietnam through International Airport in Los Angeles, he was confronted with a ‘line of anti-war protestors who proceeded to spit on me’. His grievance with Ms. Fonda is of course, for her ill-conceived trip to North Vietnam at the height of the war which I guess, figuratively speaking for Mr. Smith puts her in that line of spitting hippies back in L.A. However tortured this reasoning may be, one must give Mr. Smith high marks for creative thinking.

I don’t remember the first time I heard the spitting story but I remember where I was living at the time and that places it in about 1980 or 1981. It was a shocking story really, told in an offhand sort of way, about events far enough removed to mean nothing could be done except to feel incensed and somehow violated. After that first time, I heard it several times more over the next couple of years and it was always pretty much the same, always second or third person, happening to a friend or a relative or a friend of a friend and always back in the late sixties or early seventies. But, of course, the time frame was a critical part of the story. It was about the war, after all, and the raw deal men who served in it got when they came home to no-parades and little fanfare. Like most apocryphal stories it was really about voicing a grievance. And it was always just half a story but because the person telling it was never the actual person to whom these things happened you couldn’t really ask about the other, missing half of the story, you know, the part where you might ask what the fuck did you do about it? There must have been a hell of a fight, right? I mean somebody spits on you there’s gonna be a melee right? Right? But that part of the story was always missing. It was always just the spitting. The first couple of times I heard the story I took it at face value. What an unbelievably shitty thing to do to a guy wearing a uniform. But then I started to feel uneasy about it and started to ignore it as it went by from time to time over the years. Uneasy about it because I should have known about it and I didn’t.

Over the years, Ms. Fonda’s sojourn to Uncle Ho’s North has become a bitter kernel in the mosaic of Vietnam. One of many. One photograph shows her sitting, laughing, on an anti-aircraft gun, surrounded by her amused and delighted hosts. It was and remains a hurtful image to most vets. It seems the sleek Ms. Fonda, who has led a materially privileged life, suffers from a remarkable paucity of taste and decorum but has now, with a book to hawk, come to her senses and recognizes that grainy photograph and the trip it frames to have been a monumental lapse of judgment. Although I must say, one is hard pressed to find sufficient evidence that she’s displayed good judgment frequently enough otherwise to make this occasion a ‘lapse’. In any event, she’s now sorry and can’t we all just be friends and read a good book, ‘like, for instance, this one I’m holding’, or maybe aerobicize together. But I really don’t have a problem with Jane and, frankly, I didn’t have a problem with her back when she took her trip to North Vietnam. I didn’t much care one way or the other. She’s always seemed irrelevant and transparent to me, driven by an all-too-obvious agenda of self promotion. Mr. Smith is another kettle of fish.

My problem with Mr. Smith is his story about the lines of anti-war protestors he found waiting for him in Los Angeles and that they ‘spit’ on him. I don’t believe him. The story is unbelievable on many levels and regardless that it has become a popular story in a certain hard-rump area of the veteran’s community, it has always been unbelievable. With Mr. Smith sitting in his Marine sweatshirt the opportunity to ask simple and direct questions presented itself. But Matt Lauer being little more than a pleasant shill cannot be expected to be an actual journalist although he occasionally plays one on the show. So very few questions were asked and none where the spitting hippies were concerned (nor about the running away).

I came back from overseas through Los Angeles and no one spit on me, there were no lines of antiwar protestors. I came home in March of 1968, flew into Los Angeles on a commercial flight from San Francisco on a Friday evening. It was raining. I was travelling alone and while there were several other servicemen in uniform on the plane, we weren’t together. As we came up the ramp into the concourse, no one raised an eye-brow, in fact I don’t believe anyone even looked at us. No one called out and certainly no one spit on us. I was sun-tanned, skinny and quick tempered, just like 98% of the other servicemen returning from Southeast Asia. I was running short on sleep and carbohydrates and would be for the next couple of months. But no one even glanced at me. Further I’ll say this, if anyone had spit on me (or at me) there’d have been an old fashioned fist fight, someone would have needed stitches and dental work, I’d have spent some time in the brig and there’d be a police report about the incident. I don’t know where that part of Mr. Smith’s story is or did he just ‘take it’ passively?

When I came back from Southeast Asia in 1968 I still had fifteen months on my enlistment contract. I was assigned to Schools Battalion at Camp Pendleton. I lived in a sergeant’s quarters at Area 21. During those months it was not unusual for someone to need a ride to or from LAX. I probably averaged three or four trips a month ferrying people between the airport and Pendleton. Sometimes I drove, other times I just rode along to keep someone company. So in addition to my passing through the airport on my return from overseas, I frequently shared a car for a couple of hours with someone who had just passed through the same concourse and baggage area. I never heard the spitting story one time. Not once.

George Putnam was a Southern California institution. That’s a tired old saw, saying someone is or was an institution, but with Putnam it’s almost as if the term was invented for him. In the 1950’s and ’60’s, at one time or another, he anchored the news on all four of the major independent stations in Los Angeles. When it came to news and commentary, George Putnam was ubiquitous. My mother watched him nearly every day, which isn’t saying much considering nearly everyone watched him nearly every day. My mother trusted him and he knew his success depended on her trust.

He had a head full of wavy blond hair, great teeth and a well-practiced, nearly convincing twinkle in his eye. The term matinee-idol-good-looks comes to mind. He could hold his own with Dick Powell, William Boyd or Gene Autry and in fact he did, riding his own white horse every year in the Rose Parade decked out in silver and white with a pair of six-shooters and a big white hat. Yeah, a Southern California institution. Although he delighted in calling himself a ‘life-long Democrat’ borne of his love of FDR, he was nonetheless a conservative guy. He ended most broadcasts with a segment called ‘One Reporter’s Opinion’ where he would deliver a heartfelt editorial accenting the position of the government or the military or the business community. He was not favorably disposed toward method actors, anti-heroes or hippies. He accepted the logic that had taken us to Vietnam and bought the explanations for why we were still there. There can be no doubt that if a rumor existed of soldiers returning from Vietnam being spat upon by anti-war hippies at LAX, George Putnam would have immediately decamped with a full crew to the airport to document and denounce the proceedings. But he never did. George Putnam never covered this story.

Of all my friends who are veterans, we’ve heard this spitting story over and over again and none of us had a similar experience, not one. And if returning Vietnam vets had been faced with this kind of treatment at the airport, I’d have gone down to the airport to be with them and I wouldn’t have gone alone. But no such incidents were reported in the Los Angeles Times, no local news anchor mentioned it, Los Angeles Police and airport security make no mention of it in their histories of the period. Further, no such story appears in the New York Times or the Washington Post nor any other major newspaper of the period. It was a bad time for the country. Even after all these years, it’s still painful to think about. But if we’re going to think about it and talk about it, let’s keep it real.

Mr. Smith says he was acting on behalf of all Vietnam veterans upon whom Ms. Fonda ‘spit’ all those years ago. Well, he’s not acting on my behalf, I’ll be responsible for my own dance card, thank you very much. I don’t need Mr. Smith to take care of my loose ends. I think Jane Fonda and her opinion about Vietnam are and were pretty much irrelevant. I can’t imagine standing in a line for an hour and a half to be close to her for any reason. Mr. Smith says he has a problem with Ms. Fonda. I think he has a problem with the truth.

Which brings us back to the spitting story itself. It is one of those self-serving fables which appear from time to time, intended to reinforce some slight, real or imagined, without the slightest evidence it actually happened. And perhaps most importantly, to destroy those damnable hippies who, it turns out, were right about the war all along.

Michael Ryerson

The Red and the Black

October, 1971

Standing in line at five am outside the Oakland California office of Manpower with a friend of mine who happens to be black. We’ve known each other a very long time. I say something about the confrontational approach of men like H. Rap Brown and Stokely Carmichael toward the white power structure being unlikely to produce much in the way of the results the black community is presumptively seeking. He looks at me a long moment and smiles and says, ‘They’ve had a hundred years to talk to the ‘Toms’ and the stepanfetchets, now they can talk to the Brothers.’


The radicalization of a population doesn’t happen in a vacuum, it is a tightly scripted dance between two unequal partners. And being tightly scripted, the outcome or the few possible outcomes are easily predicted. We enjoy the benefit of a couple of centuries of well documented history. We’re not guessing here. This is Foreign Policy 101. We should be better at this. In fact, because it is such a transparent process, one becomes suspicious when poor outcomes occur over and over again. Is our foreign policy apparatus really this incompetent? Anyone with average intelligence and a little curiosity, and maybe a sense of self preservation, can see how these things work.

Ahmadinejad came forth as a logical consequence of our ham-handed foreign policy. We don’t have the right to feign shock at his ascendence. The seeds that produced Chavez were sown by the rapacious capital relationship between Venezuela’s monied classes and their American corporatist patrones. Chavez doesn’t have to cheat at the polls to roll up one victory after another. This is all so predictable as to be laughable, if it weren’t also so tragic and so likely to end badly.

Michael Ryerson


Saw a strikingly pretty young woman yesterday sitting in a newish SUV at a red light take the opportunity to light a cigarette. She was slim, well dressed, wearing some jewelry, understated make-up and a tasteful, vaguely athletic hair cut. She handled the cigarette and little plastic lighter with a dexterity which bespoke years in the habit. She turned her head slightly and exhaled a cloud of blue smoke out her window and glanced my way. There was the glimmer of intelligence in her eyes. I got to thinking about how we make snap judgments about strangers we see in our everyday lives. Guy on a street corner, apparently homeless, carrying a black plastic bag over his shoulder. I always look to see how old these guys are, to see if they’re contemporaries of mine, wonder what happened in their lives to put them on that street corner. Couple of young guys striding down the street, from the back their trousers baggy, walking nearly in step with each other. Bangers? Or poseurs? Or just a couple of young guys who I can’t really measure across the cultural abyss? On their way to a drug buy or late for school? Last night, saw a young oriental guy in a white shirt and tie eating alone in a slightly upscale restaurant. Where’s his family? Are they out of town? Or is he in town on business? Or is he just alone? Stops here on his way home to have a quiet dinner and look over his notes from the day. Going home to an empty house. Apartment? Funny thing, looking at strangers. I’ve never smoked in my life. No big deal, just never happened. I wonder what smokers think when they see an otherwise healthy young person lighting up. Do they wish they could warn them of what’s almost inevitably going to happen? Would they try to talk some sense into them? Or do they still think it looks stylish, don’t see the harm in it and besides who’s business is it anyway?

Michael Ryerson

Charlie Potatoes

“I’m gonna buy me a pair of buckskin shoes, with a brand-new suit and a silk shirt. And I’ll be Charlie Potatoes, comin’ down the street, with a Panama hat and a good-lookin’ gal,” his eyes softened and he was looking out to the horizon, ” No more “Yassuh, boss.” I’ll go to Rio and never be found. No more “Yassuh, boss”!”

                                                                     Joker Jackson, The Defiant Ones


Loehman was a small-timer living on hot checks, petty theft and ‘loans’ from his brother, the musician. He had a room at the Bristol, a fleabag down on Eighth Street below Pershing Square, drank a late breakfast in a joint on Broadway and would catch the shuttle out to the track at about noon most days. He’d been running around with Mickey the B, but Mick didn’t like the ponies all that much and in March he got himself picked up on a petty theft beef and an open warrant came up and he was on his way back to Folsom. So Loehman is pissing away his money, looking for a situation, when one morning he runs into a guy he’d known in the joint named Diggs. He’s standing there waiting for the shuttle and this guy strolls by with the Racing Form folded under his arm and Loehman immediately knows him and calls out. It was all downhill from there. 

Loehman was a small timer with a brother who had money. He pressed him for ‘loans’ pretty often but the patience thing was drying up and it was getting harder to come up with a fresh story every time. So it was getting harder to get more than a sawbuck out of him every month or so and he finally just started sayin’, ‘C’mon Morrie, give me a coupla bucks, will ya?’ And usually Morrie would come through. Usually. 

Loehman was a small timer looking for a situation because even he knew passing hot checks had its limits and he had to put some real money together. But it wasn’t easy. A con can’t get close to the real money without somebody blows the whistle. So he was poking around, sniffing around, hoping something would fall in his lap. And then he runs into Diggs. 

Diggs was a junkie. He had a room at the Harvey and most mornings he shot up in his room and laid back until it hit. Then he’d check the car he kept parked behind the hotel, a big, dusty, black Chrysler with bad tires and a venetian blind in the back window. Then he’d start to hustle. Maybe shoplift some out of the men’s stores on lower Main Street or out the backs of the shops on Broadway. He kept his eyes peeled for anything that was left lying around, a purse, a camera, anything that could be hocked, pretty much anything for five, ten bucks. Some mornings the sun hurt his eyes but if he waited in his room long enough, well…he’d feel okay. Like this morning. He was starting to feel a little better, almost normal again. He was looking forward to getting out to the track. He was going to play it smart for once, he was going to play for the steady money, the short odds, play the favorites to show or place, no more on-the-nose tickets where somebody can bump your horse coming out of the gate or crowd him into the rail or lock him up in the stretch. No, show money was the smart play, it was good enough for him. Unless, of course, a sure thing came along, then he’d have to be ready to cash that big ticket. Yeah, but only a sure thing. For once he was going to play it smart, he was going to come back from the track up, with more money than he’d taken. Sure he was. 

Now Diggs didn’t know Loehman all that well. He’d seen him on the yard at Folsom a couple of times and they had a couple of mutual acquaintances but they’d never done much more than pass the time. He’d bummed a smoke from him once or twice but that was pretty much it. When he heard someone call his name on that sidewalk, he had a half a pack of Chesterfields, a book of matches from the Alibi Room, a little bottle of aspirin tablets, a jack knife and twenty-seven dollars in his pocket. And he had two Codeine tablets folded in a five dollar bill in his right sock. He was flush but when he turned to see Loehman smiling at him, he was looking for a situation, too. 

On the shuttle they talked about the horses. Loehman leaned over and looked at the margin notes on Diggs’ copy of The Form and asked, ‘Ya got a system?’ To which Diggs frowned and said, ‘No, not really.’ ‘How long you been goin’ to the track?’ ‘I dunno, maybe twenty years or so.’ ‘Geesh, you’d think you’d have a system by now.’ Loehman had a system. He also had a half pint of rye in his jacket. They smoked the Chesterfields and drank the whiskey and played a couple of hands of whatever-happened-to until the shuttle dropped them off under the awning at Hollywood Park. The horses were not kind. The favorites ran out of the dough and the ‘shots came out of nowhere. Diggs cashed two tickets and came out down ten bucks. Loehman wasn’t so lucky. Riding the shuttle back that night, they didn’t talk much. Diggs was focused on cookin some H at the Harvey and Loehman was thinking about calling his brother.

Vincent Braga was a hood with a nose for business, he could smell trouble and he could smell money. He was a burglar and an armed robber, did some extortion and ran some protection but his specialty was home invasions, right through the front door. He believed in punctuality and simplicity. And he hated partnerships. He did some free-lance collections for Joey Sica and later for Mickey Cohen but he was never a company man, just a dependable guy who could do a job now and then. Mostly he was an independent. He carried a .32 automatic in his trouser pocket and never made trouble for nobody unless there was money in it. He favored dark wool blazers, silk shirts open at the collar and no jewelry. There was nothing flashy about Vincent Braga. He had a nice, calm, no-nonsense way about his business so when he had to lean on somebody, they never saw it coming. 

Braga had two offices. Most mornings you could reach him by leaving a message at Zimmer’s Gym over on Vermont. Tony Zimmer’s place was a little second floor walk-up with bad lighting and low ceilings. Nothing fancy. No one who ever answered this phone seemed to know who Vince Braga was but they were always happy to take a message. But Braga was always there and usually the call was returned. He would show up each day at eleven, quietly lift weights for a couple of hours and then just as quietly disappear down the back stairs. He had done a couple of favors for Zimmer over the years and so pretty much had the run of the place. Tony Zimmer liked having Braga around. Nobody ever bothered Tony Zimmer. In the evenings, you could call the bartender at Tom Bergin’s joint on South Fairfax and leave your name and in a few minutes Braga would call you back. But if you showed up at the Horseshoe looking for him, without an appointment, you’d better have some juice or a good story or you might never have a phone call returned again. 

Braga married Jack Basso’s daughter, Gina. They bought a little house out on La Tijera and now Gina was pregnant. Basso was a minor producer at RKO, also did some things at Paramount, all quick little ‘B’ pictures that usually made money. Nothing big. He was always trying to get his new son-in-law into the business but Braga wasn’t having any of it. He’d done some collections work at Paramount, had to scuff up a couple of make-believe tough guys who didn’t understand about gambling debts and compound interest, and he was pretty sure there would be hard feelings. And besides, he didn’t think it was such a good idea having his face thirty-five feet high on some movie screen. So show business was out but, beyond that, Braga had few illusions and fewer limits. Vincent Braga was a hood who was always looking for a situation.

If you called the Horseshoe and asked for the bar, you could leave a message for just about anybody. The bartenders would write it down for you and line it up by the phone behind the bar and anybody who came along could ask if they had a message and the bartenders would look through the line-up of messages and hand ‘em out. They were models of discretion. They didn’t know anybody and they didn’t want to know anybody. When a message would be taken for Vincent Braga, he was never ‘in’ and they didn’t know when he would be ‘in’ and as soon as they’d hang up, someone would nod at one of the cocktail waitresses and she’d go by his booth and touch him on the shoulder or tap the table as she passed and he’d walk over to the side bar and they’d lay the note in front of him and he’d read it and turn away without touching it. This time the note said ‘Call Bobby C.’ Braga looked up and asked the bartender how long ago he took the message, about two minutes was the answer. This was one Braga needed to return. Sometimes for little things, he used the pay phone in the back but not this. He left by the side door, walked through the alley to Barrows and used the phone booth. 

‘Hey Bobby, it’s Vince,’ he started but Carfagno cut him off, 

‘Whatta ya doin?’ 

‘What? Right now? Nothing really. Why? Whatta ya got?’ 

Carfagno lowered his voice just a touch for effect, ‘I need ya to help me for a couple of hours. Are ya good with that?’ 

‘Yeah, Bobby, you know I am.’ 

‘I’ll pick you up in an hour, where ya gonna be?’ 

‘One block south of the Horseshoe at Barrows, on the corner.’ 

‘See ya.’ 

The line went dead. Braga walked back to the Horseshoe.

When the cream-colored Lincoln pulled into the curb, Braga was still looking up the block for Bobby’s Cadillac. He had to bend down and look to be sure it was Bobby. He knew it was going to take longer than two hours. He was right.


Tuesday night, Braga had a message from the old man. Well actually, the message was from Sil Esmond but that meant it was the old man talking. Braga returned the call, Esmond got on the line and said, ‘Hello Vincent, whatta ya doin’? Ya busy these days?’ To which Braga, knowing how this game is played said, ‘Yeah I’m doin a few little things, nothing big, ya know, but still, keeping busy.’ Esmond was quiet for a second and then said, ‘Well ya know, it would be nice if you could come see us later.’ It sounded kosher, in fact, it sounded like money. If the old man was mad, it wouldn’t be Sil Esmond making the call, it would be one of the younger guys. ‘Yeah, sure Sil, I’d be happy to see you guys again.’ Now the way this game is played ‘later’ meant after dinner and this being the old man that meant Paul’s Steak House up in Beverly Hills just off of Doheny. The old man liked to set up there most nights, in the back dining room and hold court. Braga had been there before and while it usually meant money, it always meant you could be on the good side of the old man. Besides he’d just done this job with Bobby Carfagno who answered to the old man, so maybe this was going to be to settle that up. At ten, he parked his car a block away, up on Third Street and walked down Weatherly to the alley behind the restaurant. There were some pipes above the kitchen door and he reached up and slipped the .32 into the shadows, then he went around front. Now Johnny Weissmuller was working the door, kind of a greeter, sometimes out on the curb under the awning, sometimes in the foyer by the cloakroom, Paul thought it gave the place a little class, although by this time Tarzan was getting kind of beefy. But he still had that big, crooked smile and he knew how to shake hands and laugh out loud and make people feel like he was happy to see em. The ladies ate it up. He’d put his arm around them and they’d get their pictures taken with him and all. He had a good memory for faces and names. When he saw Braga, he smiled and said, ‘Hiya Vince, how ya been?’ and they shook hands. Braga walked on through to the back room. Joey Sica stopped him short of the table and put his hand on Braga’s lapel, ‘whatta ya got?’ he asked. ‘Nothing, Joey, nothing. I know better than to carry something in here.’ Sica kept his hand there for a second, then smiled and stepped back. The old man looked up, raised his hand and motioned to a chair. Braga sat down. But the old man didn’t look at him, he was busy talking to some guy Braga had never seen, a thin, older guy with grey hair. The old man was talking and this guy is listening and nodding his head and smiling a little bit but it doesn’t look like he’s enjoying it. Finally they finish and the old guy gets up, the old man doesn’t look at him. The guy leaves. There is some tension in the air, some unspoken thing. The old man looks at Joey and shakes his head. Joey smirks and shakes his head, too. Now the old man turns to Braga, ‘I understand you did something for us last week. Is this right?’ This was touchy, Braga wasn’t sure how much he could really say, this could be a conversation that shouldn’t happen. He hesitated, thinking, finally he says, ‘Yeah, I did a little thing for you. I was happy to do it. It was nothing.’ The old man leans back, his face relaxed, he likes this answer, ‘How’s your family, Vincent? How’s your wife? She have that baby yet?’ ‘No, not yet. The doctor says another couple of weeks.’ ‘Vincent I want you to know Bobby’s a good boy but sometimes he’s not a good businessman. And I know that thing you did for us took a load off his shoulders. I want you to spend a few minutes with Sil tonight. He’s got something we’d like you to take care of for us.’ Braga knew this was the money payoff for the Bobby thing. ‘Thank you, I appreciate it.’ ‘Let us know when that baby comes.’


In June, Loehman paid for his room with a hot check and knew he had about three days to get reorganized before it came back from the bank. He knew he was on the clock. He called Diggs. They took the Chrysler down to a garage on Avalon Boulevard and Loehman bought a couple of re-caps for the front end and a serviceable used tire for the spare and a tank of gas and paid for it all with another bad check. They made small talk with the mechanic while he filled out a receipt for the tires and when they left Loehman noticed the guy jotting down their license number. They pulled out, turned right, headed south down Avalon  and he said, ‘That’s going to be trouble.’ Diggs turned right at Vernon, just cruising while Loehman thought. They passed San Pedro and then Main and just short of Broadway Loehman saw an electronics store, ‘Pull over here,’ he said. They stood outside the window looking intently at the display of new television sets, ‘Act interested but not too interested, act like we’re just trying to decide…’, Loehman said quietly. Diggs was insulted that Loehman thought he needed to be told but he didn’t say anything. Inside, Loehman wrote another check and they wrestled a Philco into the trunk of the Chrysler. Back at the garage, Loehman told the mechanic there was going to be a problem with the check but that he had something he’d like to trade for the tires and gas, instead. The mechanic, an aging welterweight with scarred knuckles and a broken nose said, ‘Yeah? Like what?,’ and spit on the ground. Diggs popped open the trunk and the brand new Philco gleamed in the sunlight. Loehman ended up with the check and a grease smudged slip of paper with their license number written on it. He didn’t notice the guy had transposed two numbers and had the license wrong.

‘Okay, now look, I need you to do this, I need you to drop me at my place and wait a couple of hours and then send me a telegram, send it to Joe Stearns, at the hotel saying my aunt in Colorado died so I can check out of there without the guy thinking something’s up.’

‘Who’s Joe Stearns?’ Diggs asked puzzled.

‘It’s me, fer cryin out loud, I ain’t stayin there under my real name. Joe Stearns ain’t been buying no portable televisions.’ 

Diggs dropped Loehman off and drove south on Main trying to compose the telegram. He couldn’t think of a woman’s name for the deceased aunt, every name he tried sounded phony. Aunt Alma? Aunt Mary? Aunt Jane?? Shit. He turned west on Adams (Aunt Hortense?). He cleared Hoover, made the light at Vermont and found that holding the Chrysler at thirty two miles an hour he could string the green lights together (Paulette? Aunt Paulette?). He made five lights in a row. He turned south on Crenshaw (Mildred? Nancy?) and pulled into the parking lot at the Alibi Room to get a drink and try to get something down on paper. Goddam, why didn’t Loehman just tell him the goddam woman’s name? Shit! She’s his aunt fer chrissakes. He took a stool at the end of the bar and nursed a beer and doodled on the back of a cocktail napkin. He decided to use his mother’s name, nothing phony about that, it was a real woman’s name. Yeah, that’ll make it sound real. He jotted down, ‘Come quick Louie, your Aunt Estelle is passing away tonight.’ Shit! ‘Come quick Louie, your Aunt Estelle is really sick and not expected to last the night!’ He wondered if you could get an exclamation mark in a telegram? Did he have to actually mention Colorado? ‘Come quick Louie, your Aunt Estelle in Denver, Colorado is really sick and not expected to last the night!’ Fuuuck! This is lame. Okay, who should it be from? The aunt’s dyin, so she probably can’t send it. Christ! Why couldn’t Loehman send his own goddam telegram? 

Diggs worried about using his mother’s name. Was it a jinx? Were you just asking for trouble? Was it a hooey to lie about your mother dyin’? He took a long pull on his beer and looked at himself in the mirror behind the bar. Okay ‘Estelle’ was out. Just then a cocktail waitress leaned against the bar and called out an order to the bartender. Her name tag said ‘Edna’. Diggs got a clean cocktail napkin and wrote down, ‘Louie, leaving for Denver right away. Aunt Edna very sick. Looks bad. Signed, Benny.’ Diggs leaned back and admired his urgent message. Jesus, when he read it, he almost jumped up and headed for the bus station himself! He folded it and put it carefully in his shirt pocket, stood up and was fishing around in his trousers pocket for some change when he sees this guy sitting in a booth that he knows from the joint but he can’t pull the name up. He’s looking at him in the mirror and the name is really close, he could never mistake that nose, musta been busted like five or six times. Calm, quiet guy though, he thought, if he’s the guy I’m thinkin’ of. Heavy hitter, was doing hard time, maybe like assault and armed robbery. Didn’t exactly travel in the same circles. Diggs wanted to say hello but he hesitated. Without a name it would be awkward and besides, this wasn’t the kind of guy you just went over and intruded on, not unless you had something to say.

Braga had a good memory for faces. He knew Diggs as soon as he walked in, before he ever got to the barstool. He knew he was a jumpy, small timer from Folsom and he knew he was a junkie. But whatever else he thought, he knew Diggs wasn’t known as a troublemaker or a stooge. Braga watched him at the bar, scribbling away on a napkin and drinking his beer. His shoes were beat up and the seat of his trousers was shiny. Braga decided it was just a coincidence he’d shown up at the Alibi but Braga had this thing about coincidences. He hated them. Eddie Rossiter was sitting across the room, in a booth with two girls from the Roundabout and Braga made eye contact with him and nodded toward Diggs. Rossiter looked over at him, stood up, stretched and slowly angled across the room to Braga’s table. ‘I know this guy from Folsom. I don’t think he’s up to anything. I just want you to know.’ Rossiter was a young skinny guy who wanted to work with Braga. He’d done some liquor store stick-ups and boosted a couple of cars but except for being in the drunk tank a couple of times, he’d never been to jail. He was pretty low-key and Braga liked that and he knew sooner or later they were going to do some business together but right now they were just a couple of guys who saw each other a couple of times a week at the Alibi.

So here’s Diggs looking at Braga’s reflection in the mirror behind the bar, trying to remember his name, while Rossiter’s watching Diggs from beyond the cash register and Braga’s ignoring everybody. His left hand resting on the table near a pack of Camels and a glass of Scotch. His right hand is under the table. Diggs scatters some change on the bar, knocks back the last swallow of beer, raises his hand to the bartender and heads for the door. Rossiter walks slowly out after him. When Diggs pulls out of the parking lot he doesn’t even notice the tall thin guy talking to the blonde on the sidewalk. Rossiter stops at Braga’s table, ‘A black ’51 Chrysler, four door. Dirty but not too beat up. BZL 046.’ Rossiter didn’t transpose any of the numbers. He got it right.

The Western Union boy, a waif-like man in his mid-fifties, walked briskly through the door of the Bristol at four-thirty in the afternoon with an envelope marked ‘urgent’. He required a signature indicating delivery had been accomplished, so the desk clerk rang room 508 and told Joe Stearns to come down to the lobby. Loehman arrived at the desk wearing a near-theatrical expression of concern and allowed his hands to flutter ever so slightly as he opened the envelope and with a deeply furrowed brow read the wire slowly to himself, moving his lips as the terrible news poured forth. Actually he was quietly impressed with Diggs’ telegram although he had no idea who ‘Benny’ was. Leaving the wrinkled telegram on the counter, all the better for the clerk to read for himself the horrific family tragedy then unfolding, Loehman started for the waiting elevator saying, in a hurried tone, ‘I’ve gotta pull my stuff together.’ And it was done. An hour later, a friend arrived in a black Chrysler to help with his move to ‘Denver’, ‘I’ll see you in a couple of months, as soon as I can get her affairs in order,’ Loehman said, his tone at once purposeful and somber, as he left. They drove directly to the Harvey where Loehman took a room on the third floor just down the hall from Diggs and just across from another old friend, Charlie Bittner, an aging grifter and likewise an alumnus of the California penal system. If such a thing were possible, a move from the Bristol to the Harvey was a move down. Loehman stretched out on his bed looking up at yet another water stained ceiling with peeling paint and had the vague sense he was circling the drain.

In July, Vincent Braga went north. He knew the way only too well. He traveled alone. He went unarmed. He kept the car under the speed limit. And, except for gas and a piss, he drove straight through.

Teddy Braga, Vincent’s older brother was standing outside the main gate near the visitor’s center when he pulled in. Vincent didn’t get out of the car, just sat smiling as Teddy opened the door and slid in, tossing a soft cloth bag into the back seat. They sat smiling at each other, almost laughing, neither one saying a word, just smiling and finally Teddy slowly shook his head as if to say, ‘Shit, am I glad that’s over.’ Vincent held out his hand and Teddy shook it slowly, squeezing it hard and said, ‘Let’s get the fuck out of here.’

‘Ya wanna stop, get something to eat?’ Vincent said, pulling the Lincoln onto Natoma, turning right toward the park.

‘Naw, let’s put some miles between us and this place, first,’  Teddy said, stretching and leaning back, ‘Yeah, some miles, work your way down to the freeway, maybe stop in Vacaville.’  He closed his eyes and seemed to drift off. They passed through the little town center and Vincent found Auburn Road turned left and took I-50 west, keeping the car well under the speed limit.

‘Who ya running around with these days?’ 

‘Nobody, same as always.’ 

‘I thought you hooked up with Bobby Carfagno.’ 

‘Yeah, I heard that too, a couple of times. We did few little things together but nothing long term. He’s too crazy for me and I don’t like working with another guy too much anyway.’ 

‘I don’t know him, I only heard about him from Joey Testa, you know, some stories. Joey and me were on the same block last year until he got transferred to Soledad. Anyway he said Bobby was kinda wild. When I heard you guys were working together I thought it was a bad fit.’

Vincent nodded, ‘Yeah, it would be a bad fit. Sooner or later he’d get you into a tight spot. He asked me to help him out one night and him being with the old man makes it kind of hard to say no. Mostly, I try to be busy when he’s around. Anyway, he picked me up one night, said we’d be gone maybe a couple of hours but you know how that always works.’

‘All night?’

‘Pretty goddamed close. Anyway, after we got rolling, he says he knows this place up the coast, a lake, where we can dump this body he’s got in the back and nobody’ll ever find it. And I’m noddin’ my head and all the while I’m thinkin they always find em. But Bobby’s pretty sure of himself and he’s not a jumpy kind of guy so I’m going along with it. The body’s got to be dumped and I don’t know any good places and since I didn’t whack the guy I don’t feel like I’ve got a lot of say in where he gets dumped. Now Bobby’s already got him in the trunk of this car and I ask if this car is hot, you know, are the cops going to be lookin for this car and he says no, the car is his second car and his wife is usually driving it and they never seen him in it so he doesn’t think it’s hot. So we drive out Lincoln Boulevard and pick up the coast highway at the base of the pier and head north below the palisades toward Malibu and Paradise Cove, all the way to Zuma and Bobby says we’re going a little farther than we have to but he wants to be sure we don’t have a tail and besides he can find this place even if we come into it from the northside. And on the way we pass this restaurant and he’s going on about how fabulous the food is in this place and he wants to stop and get a bite to eat and I’m thinking what the fuck are we doing stopping in a restaurant with a dead guy in the trunk of the car but I don’t want to make Bobby feel like I’m a jumpy guy so I says yeah, I could eat something. And we go in and sit down, it’s a real nice place, you know, real well decorated and all, kind of corny but nice and Bobby says this place used to be a whore house back in the old days and I realise this is the place Mickey was talking about, you know, where he took those pictures of that actor and then sold them to his agent or somebody. Really made a killing. So the veal is good but the pasta is kind of overcooked and the waitress has this big birthmark on her wrist, you know, like a big red spot with like hair growing out of it and I’m thinking what a shame, a good looking broad like that and a big goddam patch of black hair growing out of her wrist but I’m also thinking how that car looks out there in the lot, I’m trying to remember if the weight in the trunk is making it ride kind of low in the back and maybe a highway patrolman or a sheriff’s car is going by and sees it and wonders why it’s sitting like that. But we pay the bill and nothing happens and we go up the road a couple of miles past Trancas and Bobby’s squinting at the road signs and he’s saying things like I think this might be it or maybe it’s a little farther and I’m thinking I don’t like his guessing, I expected he’d be more sure of where we were going. We turn off on a little canyon road, I remember it was Decker-something and this road goes up like a sonofabitch, I’m thinking I might have to jump out, if the car starts to slide sideways or something, and the turns are kind of sharp and banked even, no trees that I can see, just sagebrush really, and a couple of places where the road turns to dirt and I’m thinking I’m glad it isn’t raining and how the fuck is anybody going to find this body and maybe Bobby actually knows what he’s talking about this being a good place to dump it. We don’t pass any other cars, not one. We come to a fork in the road, not like the little side roads we’d already passed but an actual fork with boths ways being about the same size and all and we stop and Bobby is peering out the windshield and craning his neck trying to read the road signs and he doesn’t have a clue and I say why don’t we just dump this guy right here, you know, just dump him right off the side of the road but Bobby says that’s a bad idea, we set out to dump him in the lake and that’s what we should be doing which makes me think somebody else must have a piece of this, maybe the old man. Bobby says he thinks we could go on either side of this fork and it would be okay, that they both come out the same place and I’m starting to think maybe I see car lights way out there on the left of our road and I don’t know if they would be on our road or some other road. We take the left side of the fork and a little farther on Bobby says yeah this is it and we pass a couple of houses, nice little places, kind of cottages or bungalows, but dark, no lights and no cars parked anywhere that I can see and I’m pretty sure this is like a vacation place and then I see the water right close to the road and some trees growing right out of the bank and Bobby pulls over and kills the engine and we get out and stand by the car and it’s really quiet. I’ve got my hand in my pocket resting on this little Colt I always carry, you know the one you gave me way back in Kansas City, see because I trust Bobby and all but you know everybody can be bought and this would be just the kind of place where somebody could drive up and whack me or maybe both of us if they knew this is where we were coming or even Bobby could turn around and have a piece in his hand so I’m moving kind of slowly just trying to take it all in and he pops the trunk and there’s this big bundle in there wrapped real tight and tied with some cord and I say who is it and Bobby just says, a thief. Now Bobby’s a talkative guy so if he just says a thief, I figure he doesn’t want to say and I’m okay with that, in fact I’m not even trying to guess who this guy is, so we lift this guy out and I’m thinking holy shit this guy is fucking heavy, I don’t think we can take him very far, he’s got to go two hundred- two hundred-fifty pounds easy, probably more, and there’s nothing to really get a good hold of and we’re there by the side of the road grunting around trying to manhandle this body down a little slope to a pier somebody’s got their boat tied up to. In the dark, I can’t see if the wood on the pier is going to hold us or not and I’m afraid of breaking through and all of us, all three of us, going into the water and it creaks a little bit as we go out on it but it holds us. We put this guy down at the end of the pier and Bobby goes back up to the car to get the chains and the concrete block and I stay down there by him. Bobby makes a couple of trips and then he looks around and says hey why don’t we take this little rowboat out onto the lake so we can dump this guy out in the middle where he won’t be so easy to see like if he was right by the shoreline. Now I’ve never been in a little boat like that and I didn’t know how to row a boat so I asked Bobby if he’d ever rowed a boat and he says what the fuck is there to it? We’re not going anyplace, just out on the lake a ways and who cares if we look good doing it as long as we dump this guy and get back. I can’t argue with that but this isn’t something I figured on. We’re lifting this guy into the boat and the boat is bobbing and weaving like we’re going to roll it over right there and I can see Bobby’s starting to think this wasn’t such a good idea and my grip slips and I drop my end of this guy and the body bounces off the edge of the pier and just kind of plops into the boat, dead center, and Bobby looks up at me and makes this gesture with his hands as if to say, see? Easy. I’m holding the boat steady for Bobby and he gets in it with no problem and I step out into the boat and it drifts away a little bit and I drag my foot through the water and my shoe fills up. Shit. I’m wrapping the chain around this guy and it’s making a hell of a racket on the bottom of the boat and Bobby’s rowing like a crazy man but we’re not going anyplace, not moving a bit, in fact, I think we’re kind of drifting backwards. I’ve got these padlocks, three of em and I’m tying off the chain and this guy’s got to weigh three hundred pounds now and I feed one chain through the concrete block and I snap the lock shut and we’re still drifting down the shore line and I’m wondering what is pulling us down that way, is there like a little dam on this lake, is there a little spillway? Bobby’s put one oar down and is trying to use the other one like a canoe paddle and he’s digging real deep into the water and making a bunch of noise and we’re only about fifteen, twenty feet away from the shore and I think I can see reeds right under the boat and I think the water’s maybe only four or five feet deep. So now he whispers okay let’s dump him right here. Get it? He whispers! Like real low, like the noise we’ve been making with the chains and the goddam oars never happened. So I shrug and say okay, sure, and we feed the concrete block into the water and the boat starts to lean over and I say if we fuck around with this guy we’re going to take on a shitload of water and Bobby says I know, let’s go fast and sure enough, we hoist this guy up on the side of the boat and the water starts pouring in but we roll him over pretty quick and the boat rocks back level and he sinks down farther than I thought he would, lots of bubbles and foam and the water lapping against the boat but otherwise real quiet again. But now, of course, we’ve got like eight inches of water in the fucking boat and it’s riding real low in the water and I’m thinking is this thing gonna sink and I say to Bobby don’t be moving around too much or we’re going down. And I had to be wearing my favorite pair of shoes. That’s what I get for going around with Bobby Carfagno. Now the surface of the lake settles down and the bubbles kind of go away and I think I can see him down there floating sort of standing up on the bottom, maybe ten, fifteen feet down. But I can’t be sure because it’s dark as hell and think I may be somehow looking at my own reflection. I say let’s get the fuck out of here and we both take an oar and start to paddle toward the pier which is now like a quarter of a mile away and the boat is riding like a garbage scow with all that water in it and we’re going maybe half a mile an hour. There’s at least eight inches of water in the boat and it’s way above my ankles and my feet are sloshing around inside my shoes but the boat is kind of inching it’s way toward the pier and I’m looking around thinking it’s weird we haven’t seen even one car, not nothing, what a perfect place to dump a body and the next time we’re going to have to be more prepared. Yeah, the next time, hah! But that’s what I’m thinking. So we get back in the car and we’re both huffing and puffing, sweat is dripping down my forehead into my eyes, I’m wiping it with my hand and wiping it off on my trouser leg, Bobby’s got a handkerchief out and is mopping away. He starts the car and we’re pulling away real slowly, real quietly, like we’re sneaking or something and I’m thinking if there’s anybody around here, one soul around here, they have to have heard everything we did. I think Bobby’s going to swing around so we can go out the way we came in but he keeps going down the road and says he thinks there’s a better way out this way, a big road, get us back to town faster. And we come to the far end of the lake and the road climbs a little hill and we pass some more houses, still no lights except one bright one on the side of a garage, and we come to some signs. Bobby’s reading them and he says holy shit, holy shit! And I say what? And he says that’s not the lake I thought it was, I’m not real sure I know where the fuck we are and I’m like starting to lose my composure. What the fuck Bobby! Ya gotta map in here or what? Yeah, but not for around here, we’re way past the county line and anyway I don’t know what this road is called. It’s real dark, like you can’t really see your hand in front of your eyes, really you can’t see a fucking thing but in the sky there’s a big bright spot and I say that must be the city, that must be L.A., just go over that way. So we’re feeling our way around these little fucking podunk roads trying to drive toward the lights and Bobby says we’re low on gas and I say how low? And he says pretty low and I kind of mutter Christ!, and start going through a list of things we’ve got in the car which wouldn’t look too good if we had to explain them to a cop but, really there’s not much as long as the bundle didn’t bleed all over the trunk and I ask Bobby if he’s got a gun or anything else we might have a hard time explaining and he says yeah he’s got a gun, whatta ya think I’m an idiot and I say don’t go there Bobby, yer the one’s who’s fucking lost and running out of gas and I can see this could deteriorate pretty quickly and I let it go for the moment. I’m thinking my trousers gotta be wet half way up my calf and I wonder what that’s going to look like if we’ve got to get out and pump gas and I slip my foot out of my right shoe and pour water out onto the floor of the car and he yells hey what the fuck and I say look genius we may have to get out of this car to pump some gas and I’d like to not draw attention if I can help it and I think sloshing around making a squeaking sound with my shoes full of lake water is probably going to raise a red flag or two with anybody that sees or hears me. And we come to a pretty big road and he thinks he recognises the name and we turn left and about two miles down, find the highway and a big restaurant and a couple of gas stations. And I tell him just sit here for a minute let’s look at these things and see if one of them is better for us. Now it looked like the restaurant had a side door, kind of a small door that wasn’t really in the dining room, I could see some pay phones on a wall in there and I figured the bathrooms have got to be right down in this area, so I says pull in there by those two big trees, away from the rest of the cars, by that door, and lets go in there and clean up a little bit.